In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.
Robert Therrien’s work assumes a variety of forms that transform objects through visual similarity, graphic reduction, or shifts in scale. His art, accordingly, seems embedded in the structures of experience. Therrien’s work inserts itself between the viewing subject and the external and objectified world. We see the Platonic forms of objects and shifts in scale, reminding us of our perspective and embodied engagement with the world.
Open Casket IX is an installation by Indira Allegra that combines traditional materials of memorial—tombstones, mausoleums, and caskets—with contemporary expressions of grief...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
Georgia Dispatch: Living and Making in the American South Suzanne Jackson, Yanique Norman, and Katya Tepper in conversation with Erin Jane Nelson, in collaboration with Burnaway Long before Georgia surprised the world in two recent US elections, the Peach State was a vital cultural and political force, shaping everything from food and music to queer culture and Civil Rights activism...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Migrant Ecologies Project: A Grain of Wheat Inside a Salt Water Crocodile | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Grain of Wheat July 8, 2019 The artists outside Mine 3 of Platåberget Mountain, in a moment of silence with their boxes in the goodbye ceremony to the exhibition...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...
Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...
© 2023 All rights reserved - The Eye of Photography Laurence Biaggi, 27-(4°72_S,37°29_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 1-(25°10_N, 80°42_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 28-(40°28_N, 17°85_E) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 24-(5°09_S, 36°27_O) © Laurence Biaggi / Galerie Mondapart, 2023 Laurence Biaggi, 6-(2°86_S, 40°65_O) © Laurence Biaggi / Galerie Mondapart, 2023 “Instantly, the images take us to an elsewhere, at first geographical, then, with time, transformed into an inner elsewhere...