Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Trained in printmaking at the Rhode Island School of Design, Clare Rojas is a painter inspired in equal parts by cartoons, quilting, street, and folk art. Rojas’s works accompany other Bay Area “Mission School” artists featured in the collection such as Barry McGee and Alicia McCarthy. While her signature gouache paintings explore the intersection between fairy tales and feminist ideology, their stylized human and animal characters often tell stories imbued with dark humor.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
"Jogging" To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Marwan Tahtah January 21, 2019 By Stephanie Burridge (800 words, four-minute read) Metaphors abound in this complex work about living, loving and surviving...
8 Overlooked Women Old Masters Who Were Ahead of Their Time | Artsy Skip to Main Content Advertisement Art 8 Overlooked Women Old Masters Who Were Ahead of Their Time Annabel Keenan Dec 13, 2023 5:29PM Installation view of “Ahead of her Time: Pioneering Woman from the Renaissance to the Twentieth Century” at Robilant + Voena, 2023...
Efectos de familia (Family Effects, 2007–9) is a series of 13 videos that dramatize an array of abusive events derived from Edgardo Aragón’s family’s history—specifically its involvement with organized crime...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...
Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 5, 2021 By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers...
MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museum gifts news MoMA store recalls popular Yoshitomo Nara snow globes over ‘laceration hazard’ To date almost 40 of the cutesy snow globes that were sold last November have either fractured or cracked Benjamin Sutton 8 February 2024 Share Yoshitomo Nara's Little Wanderer snow globes The Museum of Modern Art (MoMA) in New York has recalled one of its store’s popular holiday gift items, a series of snow globes designed by Japanese contemporary artist Yoshitomo Nara, because they “can crack or fracture, posing a laceration hazard”...
A peek behind the many masks of James Ensor in new Brussels show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview A peek behind the many masks of James Ensor in new Brussels show A new exhibition will explore the Belgian artist’s later works, including his little-known ballet, as part of Belgium’s year-long commemoration of the 75th anniversary of his death J...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury | Americans for the Arts Jump to navigation Americans for the Arts Arts Action Fund National Arts Marketing Project pARTnership Movement Animating Democracy Facebook Twitter LinkedIn Instagram YouTube Load Picture Home News Room Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Hello Guest | Login Americans for the Arts Remembers Star of Film, TV, and Stage, Angela Lansbury Friday, October 14, 2022 Americans for the Arts mourns the loss of beloved Artists Committee member Dame Angela Lansbury , who passed away in her Los Angeles home on October 11, 2022, at the age of 96...
The top ArtsEquator articles of 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography December 31, 2019 Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by Art sEquator “It is amazing how one’s identity is so associated with one’s job...
Untitled (San Francisco) was made in Idaho in 1984 and was facetiously dedicated to Henry Hopkins, the then director of the San Francisco Museum of Art who added “modern” to its name...