Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters. While Untitled (Bird’s Eyes) does not depict any actual women, it nevertheless alludes to gender roles and the power of the female gaze. Apparently playful, this scene of two animals has an ominous quality: A bird and a hedgehog confront at each other and the bird appears to be poking, even eating the hedgehog’s eye.
Trained in printmaking at the Rhode Island School of Design, Clare Rojas is a painter inspired in equal parts by cartoons, quilting, street, and folk art. Rojas’s works accompany other Bay Area “Mission School” artists featured in the collection such as Barry McGee and Alicia McCarthy. While her signature gouache paintings explore the intersection between fairy tales and feminist ideology, their stylized human and animal characters often tell stories imbued with dark humor.
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
"Jogging" To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Marwan Tahtah January 21, 2019 By Stephanie Burridge (800 words, four-minute read) Metaphors abound in this complex work about living, loving and surviving...
Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre - Artcentron Home » Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre ART Feb 1, 2024 Ξ Leave a comment Mona Lisa Vandalism: Soup Protest Causes Chaos at the Louvre posted by ARTCENTRON A close-up shows how the Mona Lisa vandalism raises serious concerns about protection...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
New York Old Master sales deliver tepid results at Christie's and Sotheby's Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news New York Old Master sales deliver tepid results at Christie's and Sotheby's Scattered seven-figure highlights failed to make up for dozens of passed lots and multiple key withdrawals Judd Tully 2 February 2024 Share Nardo di Cione, Madonna Annunciate; Archangel Gabriel (14th c.) Courtesy of Sotheby's The premier auctions among Christie’s and Sotheby’s winter sales of Old Master works in New York this week did little to counter concerns about the deteriorating market for the classics...
A peek behind the many masks of James Ensor in new Brussels show Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions preview A peek behind the many masks of James Ensor in new Brussels show A new exhibition will explore the Belgian artist’s later works, including his little-known ballet, as part of Belgium’s year-long commemoration of the 75th anniversary of his death J...
Mapping Asian Arts Media: Key Findings (Singapore, Malaysia and Cambodia) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 5, 2021 By Kathy Rowland What is the state of the arts media landscape in Southeast Asia? Based on global trends, the answer seemed evident: the landscape has shrunk, and its impact on the arts ecosystem is a growing concern amongst arts writers, artists and policy makers...
Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoni Tàpies — Les Armes d’Éros Exhibition Painting Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoni Tàpies — Les Armes d’Éros Exposition Peinture Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...
8 Overlooked Women Old Masters Who Were Ahead of Their Time | Artsy Skip to Main Content Advertisement Art 8 Overlooked Women Old Masters Who Were Ahead of Their Time Annabel Keenan Dec 13, 2023 5:29PM Installation view of “Ahead of her Time: Pioneering Woman from the Renaissance to the Twentieth Century” at Robilant + Voena, 2023...