Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner. Its tiled effect can perhaps be seen as a vertical Carl Andre work and also bears some resemblance to another work in the Kadist Collection, Jedediah Caesar’s JCA-25-SC. McGee’s installation also echoes the votive altars in the chapels he visited during his residency in Brazil in 1993. One almost expects to see candles lit below the work honoring the dead or loved ones in crisis. This is appropriate since the individual elements in Untitled depict and honor the disenfranchised, outcasts, and sometimes ghosts of San Francisco street life.
San Francisco-based artist Barry McGee graduated from the San Francisco Art Institute in 1991 with a concentration in painting and printmaking and is considered a central figure in the Mission School movement. His work is heavily influenced by graffiti, comic books, skateboard culture, green culture, and social activism and usually reflects, with a pessimistic view, upon the urban environment that surrounds him. McGee’s large-scale painting installations often take a particular iconography in which a background of abstract, acid-colored patterns is overlayed with text and figures.
silentstar, delicacy by Duane Linklater is a replica of a baby pink hoodie that the artist wore as a teenager, embellished with hand-painted elements and band patches...
Until It Makes Sense October 15 – December 11, 2011 With: Saâdane Afif – Yto Barrada – Matti Braun – Matthew Buckingham – Peter Friedl – Mario Garcia Torres – Pratchaya Phinthong – Walid Raad Curator: Jean-Marc Prevost The exhibition gathers an ensemble of works from the Kadist collection which remain open to suspensions and to shifts in meaning...
In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive...
Expo Chicago Announces Participants for 2024 Edition – Artforum Read Next: RUTH FOUNDATION FOR THE ARTS NAMES WINNERS OF INAUGURAL $100,000 RUTH AWARDS Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...