Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
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– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud | CBC News Loaded Manitoba Royal Winnipeg Ballet asks patrons to avoid 3rd-party sites after record level of online ticket fraud The Royal Winnipeg Ballet is urging patrons to buy tickets directly from its website or box office after it lost $10,000 to online ticket scammers during its recent production of The Nutcracker...
The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership News The Stedelijk x C& Editorial Fellowship Announces First Fellow Wanini Kimemiah We are thrilled to announce a new cooperation with Stedelijk Museum Amsterdam: an editorial fellowship...
Fathers #18 and Fathers #27 is part of a series of photographs and videos made in recent years in Gaza...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
En rachâchant is based on the short story Ah! Ernesto! (1971) by Marguerite Duras in which the child Ernesto does not want to go to school anymore as all that he is taught are things he does not know...
Weekly Southeast Asia Radar: Bangkok Art Biennale; Singapore creatives forced home | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Dansoung Sungvoraveshapan, via Bangkok Post September 17, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...