Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
Employing the visual language and terminology of mass media, and appropriating symbols and images from popular culture, Hank Willis Thomas’ work seeks to question and subvert established definitions and positions with regards to personal identity and the narrative of race. Working across installation, photography, video, and media work, Thomas maintains his photo conceptualist roots, primarily taking source material from found photographs and archives. These images form the basis from which the artist seeks to uncover the fallacies that history claims as truth. His work illustrates how the way history is represented and consumed reinforces generalizations surrounding identity, gender, race and ethnicity, and that as an artist he has an opportunity to expose or to revise those histories from the points of view of the oppressed.
Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Freeman’s The Virtual Book Channel Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library The Critic and Her Publics Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Future Fables The History of Literature I’m a Writer But Just the Right Book Keen On The Literary Life with Mitchell Kaplan New Books Network Read Smart Talk Easy Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast Write-minded Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In How to Be Photographed: 12 Tips for Putting Your Best Writerly Face Forward Michelle Wildgen on the Art of the Author Photo By Michelle Wildgen January 2, 2024 Every few years I write a book...
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Foreigners Everywhere is a series of neon signs in several different languages...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there...
Carlton Hotel project is the second part of a research on the Carlton, an iconic building of modernist architecture from the 1960s in Beirut...