Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films. Here, the still images function in the same way as his cinematographic work: Highly aesthetic, they allow for the appearance of intricate visual patterns and layers of meaning that take scenes of everyday life as its source material. Both Dorsky’s cinematic and photographic works follow a stream of consciousness that rejects representation or fixed narrative structure. Intended as transparent, direct objects to be experienced, these intimate and quiet works encourage contemplation.
Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema. In this tradition of experimental film, Dorsky’s poetic, meditative silent films continue the free visual association of images.
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Burrito Bay is a video by George Kuchar that follows the format of a diary or travelogue centered on a tropical trip to Acapulco, Mexico...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Unlike many of his earlier films which often present poignant critiques of mass media and its deleterious effects on American culture, EASTER MORNING , Conner’s final video work before his death in 2008, constitutes a far more meditative filmic essay in which a limited amount of images turn into compelling, almost hypnotic visual experience...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue...