Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films. Here, the still images function in the same way as his cinematographic work: Highly aesthetic, they allow for the appearance of intricate visual patterns and layers of meaning that take scenes of everyday life as its source material. Both Dorsky’s cinematic and photographic works follow a stream of consciousness that rejects representation or fixed narrative structure. Intended as transparent, direct objects to be experienced, these intimate and quiet works encourage contemplation.
Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema. In this tradition of experimental film, Dorsky’s poetic, meditative silent films continue the free visual association of images.
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...
Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...
Reeder’s works often start with language—and his Pasta Paintings are no different...
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
Gutmann’s photographs Untitled Nob Hill and From the North Tower of the Golden Gate Bridge are some of the oldest pieces in the Kadist Collection and serve as historical anchors for many of the more recent works...
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...