Untitled (Given a wall, what's happening behind it?)

2016 - Drawing & Print (Drawing & Print)

121.92 x 121.92 cm.

Cristóbal Lehyt


Cristóbal Lehyt has conducted thorough research on the historical and cultural complexity of the northern region of Chile where the Atacama Desert is located. This area, rich both in terms of its cultural heritage and its natural resources (such as the copper mines), is at the origins of some of the most dramatic episodes in the country’s recent political history. With the series Untitled (Given a wall, what’s happening behind it?) Lehyt invites the viewer to read the inscription of death in the desert landscape, while raising questions on the status of the image: How does it respond to its original environment, and how does it portray the history of the context that generates it? In whose name does an image speak and what kind of drama does it project?


Cristóbal Lehyt’s work exposes the cultural gap that might separate one cultural scene from another and the potential misunderstandings this might provoke. His series El Norte derived from a specific location in Northern Chile in the Atacama Desert. This area has historically been the scene of various geo-political battles (between Chile, Bolivia and Perú), and contested economic resources, such as nitrate and copper mines. The drawings, paintings, and photographs that comprise this series deliberately question the patriotic sense of national identity, as well as Chile’s colonial history. They also evidence Lehyt’s consciously detached position from the legacy of the Chilean avant-garde scene (‘escena de avanzada’) that held a militant discourse against Pinochet’s dictatorship, in an effort to re-signify political art and critical practices.


Colors:



Related works sharing similar palette

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

2021

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...

How Dép Tổ Ong Goes From Timeless Family Keepsake to Millennial Icon (via Saigoneer)
© » ARTS EQUATOR

How Dép Tổ Ong Goes From Timeless Family Keepsake to Millennial Icon (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 16, 2018 Back in 2014, amid the weekly cycle of news, a particular image was more striking than most: Doctor and Professor Ngo Bao Chau stood in the middle of a makeshift classroom in a rural village in Thai Nguyen Province while teaching local kids...

Nessim Bassan: Formulas for Resolution by Kurt McVey - New York
© » WHITEHOT

Nessim Bassan: Formulas for Resolution advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Nessim Bassan: Formulas for Resolution Nessim Bassan, LOUD!, 2021, watercolor, acrylic & graphite on paper, 14 x 11 in...

Gilles Aillaud — Acquisitions récentes
© » SLASH PARIS

Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...

Yuta Nagi Panaad
© » KADIST

Cian Dayrit

2018

Yuta Nagi Panaad (Promised Land) by Cian Dayrit addresses the impacts of the globalized economy and its powerful ideology on the spaces of everyday life...

The Paintings of Keya Tama
© » HIGH FRUCTOSE

Keya Tama is a South African artist who says he aims to "reunite old and new through contrasting yet unified iconography." Tama's talent for crafting interlocking creatures, either in the backgrounds of his paintings or in the form of murals, also recalls the work of M...

Her Discrepancies with Oaxacan textile (2)
© » KADIST

Leonor Antunes

2018

Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...

Missing UK Museum Objects: The Latest Story Behind The Vitrine
© » ARTLYST

In recent months, UK Museum collections have come under intense scrutiny, with headlines echoing the 'alleged' thefts of up to 2000 objects.....

Pick Your Own Christmas Tree At These Festive Farms In And Around London
© » LONDONIST

Christmas Tree Farms In And Around London | Londonist Pick Your Own Christmas Tree At These Festive Farms In And Around London By Laura Reynolds Laura Reynolds Pick Your Own Christmas Tree At These Festive Farms In And Around London Take your family on a day out at a Christmas tree farm close to London...

documenta fifteen: Dreaming of a New Cartography
© » ARTS EQUATOR

documenta fifteen: Dreaming of a New Cartography | ArtsEquator Skip to content Alia Swastika, the Director of the Jogja Biennale, offers a bold analysis of ruangrupa’s documenta fifteen, one that frames their artistic direction as an opening of new pathways that are long overdue...

the amana collection Exhibit 05 – Daisuke Yokota
© » IMA

the amana collection Exhibit 05 – Daisuke Yokota | Exhibition | IMA ONLINE the amana collection Exhibit 05 – Daisuke Yokota 14 December 2019 - 20 January 2020 IMA gallery TAGS IMA gallery Daisuke Yokota Share © Daisuke Yokota_untitled_from Color Photographs Where does the photographic process begin and where does it end? Often the making of a photograph is considered to be a momentary event: the instant when the shutter is released and a photosensitive element is exposed thereby recording the physicality of reality...

Gala Porras-Kim, Precipitation for an Arid Landscape
© » KADIST

Precipitation for an Arid Landscape is the first solo presentation on the East Coast of the work of Colombian-born Los Angeles-based artist Gala Porras-Kim...

Sea Painting, Dunwich, September
© » KADIST

Jessica Warboys

2013

The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys...

Dead Zone (4)
© » KADIST

Aria Dean

2019

Although typically sold today as a novelty item for flower arrangements and interior decorating flourishes, cotton can also be seen as a proxy, through synecdoche, for US slavery...

Tunisian Financier Selim Bouafsoun on How He Overcame His Fear of Collecting - via artnet news
© » LARRY'S LIST

We caught up with the Tunisian collector and finance whiz Selim Bouafsoun at his art-filled home in London....

‘Hold Me Now” explores the urgency of care-politics, healing and togetherness.
© » FAD MAGAZINE

'Hold Me Now" explores the urgency of care-politics, healing and togetherness...

Fragments Shored Against Ruins
© » ARTFORUM

Travis Jeppesen on the 53rd International Film Festival Rotterdam – Artforum Read Next: RUSSIA TO SIT OUT SIXTIETH VENICE BIENNALE Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

India and diaspora
© » ROYAL ACADEMY

India and diaspora | Article | Royal Academy of Arts Caption toggle button India and diaspora By Ravi Ghosh Published on 29 January 2024 Critic Ravi Ghosh meets two contemporary artists whose works address the legacies of Britain’s domination of India...