Untitled
2017 - Painting (Painting)
35 x 30 cm
Markus Amm
A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work. With its intimations of the sublime and reference to the works of Ad Reinhardt and Mark Rothko this painting extends the Romantic and modernist traditions in a perceptive way. These are subtle, slow, delicate paintings that evolve over a period of time—the product of long periods of contemplation. Subtle gradations of tone, small eclipses and traces of underlayers give the work a secretive atmosphere that seems at once to refer to nature and to nothing at all, challenging what we are capable of seeing. “It’s like a game of ping pong,” he says of his creative working process . “For instance a speck of dust could fly into the paint and I may have to wipe it out. It’s a constant reaction to what’s going on. I’m playing my part, and then seeing how the material is reacting. As I can’t completely control the process, the result is always open; it’s like alchemy.”
Markus Amm studied graphic design at the Hochschule für Gestaltung in Offenbach, Germany. He is celebrated for his modernist photographs, luminographs, sculptures, oil paintings, and drawings that reside somewhere between the avant-garde movement and futurism. His working process is long and obliges him to remain attentive to the material.
Colors:
Related works sharing similar palette
© » KADIST
Miguel Calderon
2009Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
© » KADIST
Joana Hadjithomas & Khalil Joreige
2017Produced for the Prix Marcel Duchamp and presented at the Centre Pompidou in October 2017, the installation Uncomformities is comprised of photographs, archaeological drawings, and narratives, based on the analysis of core samples from different sites in Beirut, Paris and Athens...
© » ART & OBJECT
Conservators Reconstruct a Rare Piece of Armor | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » KADIST
Bahar Noorizadeh
2018After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy...
© » TWOCOATSOFPAINT
Hudson Valley (and vicinity) Selected Gallery Guide: Feb 2024 – Two Coats of Paint Geary: Will Hutnick, Shake the Sheets, 2023, acrylic, ink and wax pastel on canvas, 36 x 48 inches Contributed by Karlyn Benson / A few Hudson Valley galleries are taking a break this month, but many are opening exciting new shows...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Malaysian theatre goes digital; Vietnam's film industry | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar KLPac March 27, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » KADIST
Li Binyuan
2014Freedom Farming presents how, after being given the right of farming, Li Binyuan began to re-dig his land...
© » TWOCOATSOFPAINT
Louis Fratino’s happy equilibrium – Two Coats of Paint Louis Fratino, Red Nude (After Mafai), 2023, oil on canvas 65 x 94 inches Contributed by Margaret McCann / Louis Fratino’s paintings in “In bed and abroad” at Sikkema Jenkins depict varied social situations, from intimate scenes to foreign climes...
© » KADIST
Julian Abraham
2019In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest...
© » ANOTHER
Rineke Dijkstra’s New Portraits Offer a Diverse Picture of Dutch Society | AnOther As her new exhibition Night Watching and Pictures from the Archive opens in New York, Rineke Dijkstra talks about the importance of casting in her work and drawing inspiration from Rembrandt December 05, 2023 Text Lydia Eliza Trail Rineke Dijkstra captures her modern-day subjects with the skill of an Old Master, her photography famed for its intimacy and verisimilitude...
© » HYPERALLERGIC
Josiah McElheny’s Glass Art Reflects the Human Condition Skip to content Josiah McElheny, "From the Library of Future Geometries I" (2023) (all images courtesy James Cohan Gallery) For decades, Josiah McElheny has created formally stunning and technically perfect artworks, mostly of glass, in a modernist style derived from mathematical ordering systems...
© » SOUTH CHINA MORNING POST
Second Clockenflap festival this December is ‘a leap of faith’, says co-founder, who promises ‘outrageous levels of fun for all who come’ | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more How will December’s Clockenflap festival differ from the March edition? Justin Sweeting, Clockenflap co-founder and head of music, talks to the Post...
© » ARTOMITY
ARTS • TECH Exhibition 2.0 – Make & Believe – ARTOMITY 藝源 T ung Wing-hong, Ng Tsz-kwan, Ho Sin-tung, Human Wu, Lam Lai, Lau Ming-hang Make & Believe Jan 23 – 28, 2024 Curator & Producer: Orlean Lai F Hall Studio, Tai Kwun 10 Hollywood Road Central, Hong Kong Tuesday – Sunday, 11am – 7.30pm arts-tech.hk/en/ Hong Kong Arts Development Council (HKADC) proudly presents Make & Believe , the second exhibition of ARTS • TECH Exhibition 2.0...