No.13 Esprit de l’Univers
1981 - Painting (Painting)
95 x 111 cm
El Hadji Sy
El Hadji Sy is an important figure in the critical movement that followed Lépold Sedar Senghor´s Négritude ideology. Senghor supported El Hadji’s work from the start and continued to follow it, but they came together again in another cultural policy initiative, inaugurated by Senghor: the famous Villages des Arts. The village is a co-operative for artists in Dakar where each one has a professional studio. It is one of the city’s major tourist attractions but is also a space that maintains its environment as a working and creative venue for local and visiting international artists. Born in Senegal in 1954, El Hadji Sy (El Sy) studied fine arts at the Ecole Nationale des Beaux-Arts in Dakar. A widely exhibited artist and curator, he works contemporary Senegalese art, both in Africa and Europe; including an Anthology of Senegalese Contemporary Art, co-edited with Friedrich Axt and a collection of works for the Museum für Völkerkunde, Frankfurt am Main, in 1989. He was President of the Association of Visual Arts of Senegal (ANAPS) in Dakar for several years, and has organized a number of exhibitions and initiatives, including the Village des Arts and the Laboratoire Agit-Art. The latter is an artist collective founded in 1974 in Dakar, Senegal, aimed at agitating existing institutional frameworks, to question the tenets of Leopold Sedar Sengor’s Négritude and to encourage artists to adopt critical approaches toward their practices. At that time, Dakar was a place where political consciousness was actively articulated, and artist collectives like Laboratoire Agit-Art went beyond aesthetic experience to critically promote the development of cultural and artistic endeavors. In September 1994 El Hadji Sy hosted “Tenq/Articulations”, the first workshop of the Triangle Network to be held in Senegal. In 2015, a retrospective of his work was held at the Weltkulturen Museum, Frankfurt.
Born in Senegal in 1954, El Hadji Sy (El Sy) studied fine arts at the Ecole Nationale des Beaux-Arts in Dakar. Lives and works in Dakar (Senegal).
Colors:
Related works sharing similar palette
© » KADIST
Jay Chung and Takeki Maeda
2009Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision...
© » LENS CULTURE
The Truth is in the Soil - Photographs by Ioanna Sakellaraki | Essay by Cat Lachowskyj | LensCulture Award winner The Truth is in the Soil Prompted by personal loss, Ioanna Sakellaraki embarked on a photographic journey back to her native Greece to immerse herself in the culture of grief and explore its liminal space with her camera...
© » KADIST
Danielle Dean
2012No Lye by Danielle Dean documents a group of five women, including Dean herself, confined to a small, cramped bathroom, communicating only by using slogans culled from beauty advertisements (“beauty is skin deep”, “naturalise, it’s in our nature to be strong and balanced”) and quotes from political speeches (“we must protect our borders”, “we are fighting for our way of life and our ability to fight for freedom”)...
© » SOUTH CHINA MORNING POST
How to get lucky in the Year of the Dragon: money, colours, clothing, food | South China Morning Post Advertisement Advertisement Chinese culture + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Worshippers pray at Wong Tai Sin Temple in Hong Kong on the fourth day of the Lunar New Year holidays on January 25, 2023...
© » ARTS EQUATOR
Quiz: What's Your Guilty Pleasure? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kristina Flour via Unsplash November 11, 2021 It’s 2021 – and you’re constantly being told to be your best self! There’s that pile of books waiting to be read, countless browser tabs open with must-read articles, and a list of podcasts that are supposed to make you smarter...
© » FRANCE24
Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows - arts24 Skip to main content Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows Issued on: 03/11/2023 - 15:44 11:25 arts24 © FRANCE 24 By: Solène CLAUSSE | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI Akeem Smith grew up between Brooklyn, New York and Kingston, Jamaica, where his aunt and grandmother were figures of the city's dancehall culture...
© » KADIST
Tobias Rehberger
20079’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
© » GALERIA FOKSAL
Sebastian Winkler, WE'RE NO COMPUTERS, SEBASTIAN, WE'RE PHYSICAL - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Sebastian Winkler Sebastian Winkler, WE’RE NO COMPUTERS, SEBASTIAN, WE’RE PHYSICAL September 2, 2022 Opening day of the exhibition: September 2nd, 2022 from 6 pm Duration: Sat...
© » KADIST
Hong-Kai Wang
2011The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010...
© » KADIST
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
