The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
Deeply interested in the topic of housing in the United States, Todd Hido’s large, colored photographs of American suburbia emphasize feelings of isolation and anonymity. Heavily influenced by Larry Sultan’s work, Hido’s images have a very narrative, almost cinematic quality to them. Northern Californian fog frequently recurs in his photographs has become one of his most recognizable trademarks.
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...