Untitled 3737 and Untitled 5157

Haris Epaminonda’s work questions the manipulation and the flow of images as well as their power of fascination...

An Online Video Exhibition curated by Anna Goetz, with works by Bady Dalloul, Jane Jin Kaisen and Guston Sondin-Kung, Minouk Lim, Amapola Prada, and Tuan Andrew Nguyen...

À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nguyen The Duong March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations...

In contrast to the westernized search for one’s personal identity, Polynesian cultures express their identities collectively, through symbolism and tattoos...

In Los amantes (The lovers) Diana Fonseca Quiñones uses simple, commonplace objects and experiences that she derives from daily life to develop narratives that mix reality and fiction...

Em’ kal Eyongakpa approaches the experienced, the unknown as well as collective histories, through a ritual use of repetitions and transformation...

Are You Ready to Publish a Photobook? - In conversation with Chris Pichler, Nazraeli Press | LensCulture Interview Are You Ready to Publish a Photobook? Nazraeli Press has published work by Alec Soth, Marilyn Minter, Daido Moriyama, and many others...

In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons...

Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...

This publication was conceived on the occassion of the exhibition: Danh Vo, “Where The Lions Are” June 11- August 23, 2009 at the Kunsthalle Basel...

Combine the classic party game Apples to Apples with a visit to the fabulous home of a wealthy collector and what do you get? Words of Art....

Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...

“Inside Voices”: There’s Something About Malay Women | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Danté Kim February 12, 2019 By Shanon Shah (983 words, four-minute read) I love plays with Malay women characters...

Rianto's "Medium": Of Journeys, Transformations & Corporeality | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng November 1, 2018 By Nirmala Seshadri (990 words, four-minute read) Total darkness...

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show...

Weekly Southeast Asia Radar: The performativity of Duterte; Puppets in a pandemic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Pesta Boneka Instagram November 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Arnolfini censorship row deepens as artists refuse to work with the Bristol institution Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Censorship news Arnolfini censorship row deepens as artists refuse to work with the Bristol institution The dispute was sparked by a decision to cancel Palestine Film Festival events Gareth Harris 14 December 2023 Share Signatories say that the Arnolfini's cancellation is "part of an alarming pattern of censorship and repression within the arts sector" Courtesy Artists for Palestine UK More than 1,000 cultural figures—including the artists Ben Rivers, Brian Eno and Tai Shani—are refusing to work with the Arnolfini contemporary arts centre in Bristol, UK, after the institution cancelled two events last month as part of the city’s Palestine Film Festival...

Designed as an installation timed spent is determined by the viewer, as with classical sculpture, Anthems is a piece that is in place, and in time, and an important genre of video within the collection...

How you play mahjong reveals your personality, as Constance Wu’s Rachel showed in Crazy Rich Asians...

He devoted his career to promoting the photography of Edward Curtis, who extensively documented Native American life in the early 20th century....