Untitled 3737 and Untitled 5157

2005 - Photography (Photography)

Todd Hido

location: San Francisco, California
year born: 1968
gender: male
nationality: American
home town: Kent, Ohio

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.


Deeply interested in the topic of housing in the United States, Todd Hido’s large, colored photographs of American suburbia emphasize feelings of isolation and anonymity. Heavily influenced by Larry Sultan’s work, Hido’s images have a very narrative, almost cinematic quality to them. Northern Californian fog frequently recurs in his photographs has become one of his most recognizable trademarks.


Colors:



Related works featuring themes of: » Isolation, » Architecture in Art, » Suburbia, » Blurred, » Color Photography, » Documentary Photography, » American

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Untitled (Miller House, #02)
© » KADIST

Luisa Lambri

2002

Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...

History of Chemistry I
© » KADIST

Lu Chunsheng

2004

A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...

PANGKIS
© » KADIST

Yee I-Lann

2021

PANGKIS by Yee I-Lann is a looped video performance...

Wherein one nods with political sympathy and says I understand you better than you understand yourself, I’m just here to help you help yourself
© » KADIST

Yee I-Lann

2013

Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...

Untitled (Cathedral)
© » KADIST

Tina Modotti

1930

The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico...

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910)
© » KADIST

Walead Beshty

2010

Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...

From the series the Old and the New (XI)
© » KADIST

Carlos Garaicoa

2010

From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

2012

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...

Silencer #16 & #17
© » KADIST

Will Rogan

2010

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

2017

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...

I Want to be Gentleman
© » KADIST

Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

Memory Mistake of the Eldridge Cleaver Pants
© » KADIST

Paul McCarthy

2008

Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

Mother Pig, Shushi Gallery, San Diego Performance
© » KADIST

Paul McCarthy

1983

McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...

Patient Admission, US Naval Hospital Ship Mercy, Vietnam
© » KADIST

An-My LE

2010

The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...

Golden Bridge
© » KADIST

Lin Yilin

Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...

Untitled
© » KADIST

Mark Bradford

2012

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...