190 x 130 cm
In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience. Drawing on her interest in retelling stories of her native country, and confronting the past and the present, Mars portrays her cultural essence and heritage by imagining spiritual spaces that connect people and land across time. With a pictorial practice that highlights pastel colors, the divinisation of the figures on the canvas and the spiritual elements within the composition ultimately enhance the narrative of her Caribbean ancestry while conflating the distinctions between autobiographical and historical events. Combining grey-scale with richly saturated hues in blue and yellow, the work recounts a story of survival and belonging, of embracing and being embraced in return. The work was commissioned in May 2022 by Framer Framed to be part of their exhibition Kazal: Narrating Haitian Memories.
Tessa Mars delves into Haitian history, her primary source of inspiration, to unveil a colourful and provocative universe that she wishes to reclaim. Her paintings explore themes around identity, history, and rituals. Collective energy runs through her canvases and represents the identity and essence of her native country, investigating notions of patriotism, and sovereignty while confronting them with the reality of everyday Haitian life. Mars recounts stories of her people while examining her recent migration experience, merging memory and self-portraiture focused on a feminine universe, struggle, and legacy, as much as Haiti’s revolutionary past.
Weekly Picks: Indonesia (11-17 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 11, 2019 Top Picks of Indonesia art events in Jakarta, Bandung, and Bali from 11-17 February 2019 We start this week’s pick in the capital city of Jakarta...
Veteran Artists Team Up with Younger Generation at ‘Wild Eye’ Exhibition (via The Irrawady) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 12, 2018 YANGON — Veteran modernists and younger generations have teamed up to exhibit their works together in Yangon...
Looking at Henry Taylor's Portraits | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007...
Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
Frequencies of Tradition at the Guangdong Times Museum, curated by Hyunjin Kim With works by Yoeri Guépin, Ho Tzu Nyen, Chia Wei Hsu, siren eun young jung, Jane Jin Kaisen, Alexander Keefe in collaboration with Ashoke Chatterjee and Liz Phillips, Tomoko Kikuchi, Ayoung Kim, Hwayeon Nam, Ko Sakai and Ryusuke Hamaguchi, Lieko Shiga, Simon Soon in collaboration with Stella and Roger Nelson, Stephanie Spray and Pacho Velez, Erika Tan, Fiona Tan, Evelyn Taocheng Wang, Ming Wong, Yo Daham, and Zheng Guogu The exhibition explores the turbulence of imperialism, colonialism, and nation-state building and its impact on tradition, and how it continues to manifest in our lives today...
Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
Minutos de odio contra sí mismo (Minutes of hate against itself) is a simple and powerful work about the political situation in Venezuela, replacing the stars on the flag with bullet holes...