Untitled
2022 - Painting (Painting)
190 x 130 cm
Tessa Mars
In this untitled acrylic painting, Tessa Mars explores the long-lasting effects of colonialism on the Afro-Caribbean diaspora, particularly in terms of female vulnerability and resilience. Drawing on her interest in retelling stories of her native country, and confronting the past and the present, Mars portrays her cultural essence and heritage by imagining spiritual spaces that connect people and land across time. With a pictorial practice that highlights pastel colors, the divinisation of the figures on the canvas and the spiritual elements within the composition ultimately enhance the narrative of her Caribbean ancestry while conflating the distinctions between autobiographical and historical events. Combining grey-scale with richly saturated hues in blue and yellow, the work recounts a story of survival and belonging, of embracing and being embraced in return. The work was commissioned in May 2022 by Framer Framed to be part of their exhibition Kazal: Narrating Haitian Memories.
Tessa Mars delves into Haitian history, her primary source of inspiration, to unveil a colourful and provocative universe that she wishes to reclaim. Her paintings explore themes around identity, history, and rituals. Collective energy runs through her canvases and represents the identity and essence of her native country, investigating notions of patriotism, and sovereignty while confronting them with the reality of everyday Haitian life. Mars recounts stories of her people while examining her recent migration experience, merging memory and self-portraiture focused on a feminine universe, struggle, and legacy, as much as Haiti’s revolutionary past.
Colors:
Related works sharing similar palette
© » KADIST
Joe Scanlan
2007Spring Line is a piece shown for the first time in his solo exhibition at the Institut d’Art Contemporain in Villeurbanne in 2007...
© » ARTS EQUATOR
Weekly Picks: Indonesia (25 June - 1 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Indonesia June 25, 2018 Top Picks of Indonesia art events in Bali and Jakarta from 25 June – 1 July 2018 What would cultural heritage look like beyond the western perspective? Journey around East Timor’s Local Heritage is a lecture by Dominique Guillaud that looks at Atauro Island, an island in East Timor, and its heritage...
© » KADIST
Jesús Hdez-Güero
2014Minutos de odio contra sí mismo (Minutes of hate against itself) is a simple and powerful work about the political situation in Venezuela, replacing the stars on the flag with bullet holes...
© » SOUTH CHINA MORNING POST
Giant Rubber Duck artist on why size matters – ‘instead of us looking at it, it is now looking at us’ – and his miniatures on show in Seoul | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Dutch artist and “Rubber Duck” creator Florentijn Hofman in Hong Kong in June 23 for the return of his giant inflatable artwork to Victoria Harbour, this time with a twin...
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Io Burgard — La proie pour l’ombre Exposition Techniques mixtes Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Encore environ 2 mois : 7 février → 30 mars 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » OBSERVER
An Interview with Curator Katerina Gregos | Observer Since the Greek curator Katerina Gregos was appointed the artistic director of Athens’ National Museum of Contemporary Art in 2021, she has not only helped transform it and build its collection but also helped cement its place on the global cultural map...
© » KADIST
Adriana Martínez
2015Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
© » KADIST
Sanya Kantarovsky
2015Wrong Currency (Monday, Tuesday, Wednesday, Thursday, Friday) by Sanya Kantarovsky uses the stylistic vernacular of five separate artists to create a series of five lithographs, dealing with a series of apparently unrelated happenings, each staged as one “day.” The series takes up Kantarovsky’s theme of embarrassment across a variety of scenes, each populated by multiple figures, set in a disjunctive relation...
© » STEVE LAMBERT
You Won! - Steve Lambert You Won! - Steve Lambert Steve Lambert has a book coming out Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA December 2021 Work Art of Activism Book , Center for Artistic Activism , Prints , risograph 11×17 (approx) 2-color Risograph Print on French Paper Printed at Eureka House in Kingston, NY Illustration from The Art of Activism book Available as a thank you for 2021 donors to the Center for Artistic Activism Share this: Twitter Facebook Related Posts November 07, 2021 Art and Fear of Propaganda Work June 19, 2021 The Art of Activism – Pre-order the Book News October 04, 2020 Talk at frank Gathering Talks September 28, 2020 Living the City Exhibition – Berlin Exhibitions June 07, 2020 Conversation with Avram Finkelstein Talks May 10, 2020 Free the Vaccine for COVID-19 Work May 03, 2020 Teaching artistic activism through infomercials Studio Log January 22, 2020 Frank Gathering 2020 Talks August 25, 2019 508 at Seattle City Hall Work August 18, 2019 Delays Mean Deaths site Work July 27, 2019 Laser cut case for HC-SR04 Ultrasonic Sonar Sensor News November 21, 2018 Macedonia Art Action Academy 2018 Work November 05, 2018 Art as Social Action Work October 28, 2018 2018 C4AA Print: The Jedi Mind Trick For Sale October 25, 2018 C4AA at Yale Talks October 22, 2018 C4AA in Macedonia Work April 30, 2018 Cancel the Apocalypse at Re:Publica Talks December 27, 2017 C4AA Workshop in Guinea, West Africa News December 15, 2017 Imagine Winning For Sale November 21, 2017 I HEART SCS Print series Work April 25, 2017 3 Workshops in April/May Talks April 15, 2017 Fight Back Pack #2: Defend U...
© » SLASH PARIS
Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris Login Newsletter Twitter Facebook Io Burgard — La proie pour l’ombre — CAC La Traverse, Centre d'art contemporain d'Alfortville — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Io Burgard — La proie pour l’ombre Exhibition Mixed media Affiche de l’exposition La proie pour l’ombre Io Burgard La proie pour l’ombre Ends in about 2 months: February 7 → March 30, 2024 Artiste : Io Burgard Commissaire de l’exposition : Bettie Nin Prenant prétexte du mythe du Sphinx — ce monstre-gardien symbole des connaissances inaccessibles aux non-initiés — Io Burgard a développé un jeu vidéo dont le récit infiltre l’exposition...
© » ARTNEWS RETROSPECTIVE
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...