Untitled
2022 - Painting (Painting)
40 x 60 cm
Tirdad Hashemi
This untitled painting by Tirdad Hasemi presents a space that can be thought of as both a prison cell and a house. Paradoxically, in both cases the color and the importance of the walls give a feeling of confinement. Escaping from prison in Iran and finding the walls of a home in Europe has been a complex and conflicting experience for Hashemi. When they arrived in Berlin, they lived in a communal apartment which, over time, became a place where conflicts arose. However, this is one of the ways in which they can create links with the new context in which they have arrived. On the right side of the painting, Hashemi depicts a pile of suitcases that remind us of their travels in different European cities. The size of the painting is itself a sign of the nomadic life they have led for several years. It is also a way to reinforce the idea of oppressive confinement.
Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin. They started painting in order to express things that cannot be formulated verbally. Hashemi’s representations are based on everyday life, their own, and that of their friends in exile. They have chosen the medium of drawing or small format paintings in order to be able to create wherever they are without any material constraints. Hashemi’s work expresses the singularity and the harshness of their mutable lifestyle. Emotional and political stories overlap in their works that give form to depression, the homesickness of their exiled friends, and melancholy. For Hashemi, intimacy is a collective matter, meant to be shared. They have made incompleteness a modality of their style, their drawings often being sketched quickly and as if left to their own fate. Hashemi’s practice has since expanded to include hands other than their own; while in residence at the B.L.O. studio in Berlin, they began collaborating with Soufia Erfanian.
Colors:
Related works sharing similar palette
© » KADIST
Sandra Monterroso
2023Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
© » THEARTNEWSPER
Kimbell Art Museum acquires important cultural touchstone of Olmec art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Kimbell Art Museum acquires important cultural touchstone of Olmec art The jade statuette of an Olmec ruler holding a baby were-jaguar will be exhibited as the centrepiece of the Texas museum's ancient American collection Theo Belci 14 December 2023 Share Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC) Photo: Justin Kerr., courtesy of the Justin Kerr Maya archive, Dumbarton Oaks, Trustees for Harvard University, Washington, DC The Kimbell Art Museum in Fort Worth, Texas, has acquired Standing Figure Holding a Were-Jaguar Baby (around 900BC-300BC), a jade statuette at the centre of Olmec civilisation studies since the mid-20th century...
© » KADIST
Joshua Serafin
2022Through the language of dance and choreography, Void by Joshua Serafin narrates the creation of a new God, the birth of a futuristic deity...
© » THE JEALOUS CURATOR
Soooo, when Malcom Gladwell’s podcast network reaches out to you and says, “Hey Danielle, would you like to share part of an interview we did with Marina Abramović with your listeners”, you say, “ummm, OKAY!” I’ve put a little mini episode together, featuring a 20 minute excerpt from their show, “Talk Easy with Sam Fragoso”...
© » ARTNEWS RETROSPECTIVE
A Jacob Lawrence Expert on a Profile of Him from ARTnews’s Archives – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All January 24, 2020 1:35pm George Chinsee Jacob Lawrence (1917–2000) was one of the deftest documentarians of African-American life in the United States, and over the next few years, people across the country will get a chance to see one of his greatest series of paintings, “Struggle: From the History of the American People” (1954–56), united in full for the first time...
© » SLASH PARIS
Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Peter Doig — Reflets du siècle Exhibition Painting Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
© » KADIST
Toyin Ojih Odutola
2015As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
© » KADIST
Subash Thebe Limbu
2021In Ningwasum , Subash Thebe Limbu explores Adivasi Futurism, a concept he has developed over a number of years, inspired by the writings of Octavia Butler, Afrofuturism, Indigenous Futurism, and various Adivasi, Janajati, feminist, queer, and Dalit movements...
© » KADIST
Karen Lamassonne
1989Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
© » KADIST
Jakob Kudsk Steensen
2018The virtual reality work Aquaphobia by Jakob Kudsk Steensen examines it’s title subject matter – the fear of water...
© » ART & OBJECT
Art & Object Marketplace: A New Way to Buy Art Online | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
