Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines. Houck transforms these simple outputs physically, folding, lighting, photographing, and re-printing them, only to fold, photograph, and re-print again. An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes. To make his works, Houck arranges an object on a sheet of paper, photographs, and prints it, then places that print back into a new composition, repeating the process again and again until arriving at an aggregate image. The layers appear to be digitally altered, but he does not utilize any postproduction interventions. But Houck is not a purist by any means; he is significantly influenced by his professional experience as a computer programmer, and his artistic methodology mirrors a kind of algorithmic code. By referencing a conventional artistic genre through an iterative and contingent process, Houck offers up photography as a mode of thought.
An MFA graduate from UCLA, John Houck works primarily in the medium of photography and specializes in still-life vignettes. To make his works, Houck arranges an object on a sheet of paper, photographs, and prints it, then places that print back into a new composition, repeating the process again and again until arriving at an aggregate image. The layers appear to be digitally altered, but he does not utilize any postproduction interventions. But Houck is not a purist by any means; he is significantly influenced by his professional experience as a computer programmer, and his artistic methodology mirrors a kind of algorithmic code. By referencing a conventional artistic genre through an iterative and contingent process, Houck offers up photography as a mode of thought.
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...
7″ Single ‘Pop In’ by Martin Kippenbergher consisting of a vinyl record and a unique artwork drawn by the artist on the record’s sleeve...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Last Postcards is a series of three small double-sided paintings on plywood in which Biernoff imagines the last communications from explorers lost in the wilderness...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...