Untitled
- Installation (Installation)
Kitty Kraus
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006. These transparent assemblages are in contact with the walls and floor of the exhibition space. The sculptures of this series are the same dimensions with different combinations. A large glass plaque associated with a smaller one recur to suggest the proportions of a human body. The glass plaques are joined simply with adhesive tape. The gaze must distinguish these in space, bodies need to work around them. The work plays on the tension between elements that are controlled (dimensions, balance) and those that are uncontrollable. These minimalist, transparent and perfect forms are nevertheless sharp enough to endanger the skin surface. The works in this series recall the large steel plaques by Richard Serra if only because they entirely integrate the possible collapse of the form.
Kitty Krauss has a very particular outlook on Minimal and Constructivist Art. She reinterprets certain historical forms by highlighting their sensitive dimension. She uses glass, ice, light, mirrors in works that toy with the tension between formal perfection and extreme fragility. References can be found to sculptures by Richard Serra but also by Joseph Beuys or Dan Flavin. She questions the Modernist myths, the aesthetic preconceptions of the art of the 1960s. The materials she uses are intentionally chosen to evoke the fragility and impermanence of things. Kitty Krauss was born in Heidelberg, Germany in 1976. She lives and works in Berlin.
Colors:
Related works sharing similar palette
© » ARTEFUSE
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
© » KADIST
Jordan Wolfson
2004Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously...
© » ARTS EQUATOR
ILHAM Gallery is a trailblazer in the Malaysian art scene (via Luxuo) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 19, 2018 ILHAM Gallery sits like a secret jewel box in the black-ice exterior of Menara ILHAM, where it has played host to celebrated artists and conceptual experimenters since it opened its doors in August 2015...
© » KADIST
Lu Pingyuan
2016Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
© » KADIST
Tacita Dean
2001The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
© » ARTS EQUATOR
The photographer capturing the eerie illustrations of Thai legend Hem Vejakorn (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 21, 2018 Photographer Pattana Chuenmana has reimagined the illustrations of Hem Vejakorn, a well-known Thai artist and writer, in moving black-and-white still images...
© » KADIST
Like an Attali report, but different June 15 – July 27, 2008 Curator: Cosmin Costinas With: Yael Bartana, Gregg Bordowitz, Heman Chong, Ciprian Muresan, Deimantas Narkevicius, Redza Piyadasa, Pushwagner, Anatoli Osmolovsky, Mona Vatamanu & Florin Tudor The Attali Report (or the Report of the Commission for the Liberation of French Growth), commissioned by President Sarkozy, was published half a year ago, provoking a long series of discussions, mainly confined to the French public arena and mainly focused on the report’s concrete proposals, set to implement a neoliberal model for the French economy and society...
© » KADIST
Maria Taniguchi
2012Untitled (Celestial Motors) is a visual meditation on an icon of modern urban Philippine life—the jeepney...
© » KADIST
Calderón & Piñeros (La Decanatura)
2018Calderón & Piñeros (La Decanatura) refer to Sólheimasandur as a work that tackles the issue of “the ruin as a tourist destination.” As they say, “at the end, tourists become an essential part of this unusual, beautiful, and—at the same time—banal landscape.” The video features a plane wreck on Sólheimasandur beach in Iceland, where a navy plane belonging to the United States Army crashed in 1973 due to fuel exhaustion...
© » MODERN MET PHOTOGRAPHY
People in the UK Can Be Prescribed Photography to Treat Mental Health Home / Science / Health People Can Be Prescribed “Photography” as a Mental Health Treatment in the UK By Margherita Cole on December 6, 2023 Photo: olhovyi_photographer/ Depositphotos Creative outlets like drawing and painting are great ways of exploring your emotions and relieving stress...
