Untitled
2016 - Painting (Painting)
Acrylic on canvas
Apostolos Georgiou
Untitled (2016) is characteristic of the artist’s practice. Apostolos Georgiou invites us into a scene of cinematic tension. In the foreground, a man is kneeling with his hands on his head. One can feel the man in the painting tremble. We see neither the face nor the weapon of the second man. The proof of the crime is absent, as if the threat is psychological and moral, rather than physical. This painting imagines a representation of a balance of power. We see the consequences of a world in crisis, a failing system on several levels: human relationships, between a Greek government and its citizens and the demands of Brussels vis-à-vis Greece.
Inescapably political, Apostolos Georgiou’s paintings are realized by bold and mastered brush strokes. The figurative work does not dwell on details, his characters have modestly composed faces but their expressions are vividly present, offering multiple interpretations of each painting. The scenes depicted are both timeless and contemporary. There are many men, Westerners in costume who seem to be searching. Situations are never explicit and are often absurd. These men are embarrassed. One is almost in scenes of drama of a tragi-comic genre. The compositions of his paintings are large, inviting the viewer to plunge into the scene. This work is an oeuvre of modern man, one who tries to escape the feeling of anxiety and solitude caused by the incomprehension of the surrounding environment. The maelstrom of the financial and climatic crisis, wars, and population displacements is continuously and aggressively pushed by mass media, and it is through this that we can witness a man lost, submissive or fleeing his fate.
Colors:
Related works sharing similar palette
© » KADIST
Women Art Revolution Alicia Smith, Amapola Prada, Claudia Joskowicz, Clarisse Hahn, Fang Lu, Laura Huertas Millán, Lynn Hershman Leeson, siren eun young jung Women Art Revolution draws a selection of works from the KADIST collection that aim to initiate conversations around women’s issues, feminism, and feminist art...
© » KADIST
Shooshie Sulaiman
2005Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture...
© » ART & OBJECT
Two Important Paintings in Asian Art On View in the United States | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » SLASH PARIS
Nathanaëlle Herbelin — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nathanaëlle Herbelin — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nathanaëlle Herbelin Exhibition Painting Upcoming Nathanaëlle Herbelin, Jeremie en pull, 2022 — 22 x 27 cm — Huile sur toile Courtesy de l’artiste © Nathanaëlle Herbelin Nathanaëlle Herbelin In 4 months: April 22 → June 26, 2024 Dates provisoires — Printemps 2024 Fréquentant assidûment les collections du musée d’Orsay depuis l’enfance, l’artiste franco-israélienne Nathanaëlle Herbelin est invitée à mettre en perspective ses toiles et ses sources d’inspiration...
© » KADIST
Anna Boghiguian
2014In the painting called “The Consciousness of Memory, Time, and Guilt” as in many of her recent works, the body is fragmented...
© » WHITEHOT
Photos: Studio visit with Ana Villagomez advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Photos: Studio visit with Ana Villagomez PHOTOS BY MARCARSON December 14, 2023 Studio visit photos with Ana Villagomez forth coming solo show spring 2024 with Nino Mier Gallery, Los Angeles...
© » KADIST
Victor & Sergiy Kochetov
1978Having a press card allowed Viktor Kochetov to photograph freely in public places, access to which was strictly regulated for amateurs...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: 70 years of filmmaking in Indonesia; Malaysia's digital theatre | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Liver and Lungs Production August 19, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
