Untitled
1992 - Sculpture (Sculpture)
18 x 24 cm
Jiri Kovanda
Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other. Nevertheless there is a harmony in the assembly of forms, writing, colors, proportions; an aesthetic construction is carried by this contemporary still life. This work charts the passing of time: the cardboard yellows, the film becomes obsolete in the digital age. In a meta-artistic dimension, this sculpture could be a manifesto for Kovanda’s work. His actions and installations have a particular link to the photographic medium: they can only exist for the contemporary spectator and as an artwork, through the records and documentation. The sculpture seems to contain potential artworks in gestation in the bottom of the box, like a mysterious photographic chamber, invisible to the eye.
Jiri Kovanda was born in 1953 in Prague, Czech Republic. He lives and works in Prague.
Colors:
Related works sharing similar palette
© » KADIST
Amor Muñoz
2014Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
© » KADIST
Judith Hopf
2018Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
© » ARTS EQUATOR
Solid are the Winds: Aeolian Encounters at The 9th Asia Pacific Triennial (Part I) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Natasha Harth for QAGOMA untitled (giran) (2018), Jonathan Jones in collaboration with Dr Uncle Stan Grant Snr AM January 10, 2019 By Marcus Yee (1259 words, five-minute read) This is the first of a two-part essay on the 9th Asia Pacific Triennial running at the Queensland Art Gallery, Brisbane, Australia, from 24 November 2018 to 28 April 2019...
© » KADIST
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
© » KADIST
Annette Kelm
2014In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions...
© » KADIST
Melvin Moti
2015Cluster Illusion examines the brain’s tendency to recognize a pattern as something abstract...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Indonesian govt aids arts; female voices in Vietnam war stories | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JG Photo/Yudha Baskoro May 14, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
BIPAM 2021: Delight, despair, dialogue and the despot | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 17, 2021 By Nabilah Said (1,800 words, 6-minute read) I’ve never actually attended the Bangkok International Performing Arts Meeting (BIPAM)...
© » ARTS EQUATOR
Galleries informed that art fair Art Stage Singapore cancelled (via The Straits Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar January 16, 2019 SINGAPORE – At least five galleries slated to participate in Art Stage Singapore say the art fair has been cancelled by organisers...
© » KADIST
Teppei Kaneuji
2014In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
© » SLASH PARIS
Yannig Hedel — At First Glance — De Prime Abord — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Yannig Hedel — At First Glance — De Prime Abord — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Yannig Hedel — At First Glance — De Prime Abord Exposition Photographie Yannig Hedel Courtesy de l’artiste et galerie Bigaignon, Paris Yannig Hedel At First Glance — De Prime Abord Encore 27 jours : 25 janvier → 9 mars 2024 Après les expositions Midi et quart en 2018 et Passé composé en 2021, nous sommes particulièrement heureux de présenter De Prime Abord, la troisième exposition monographique de Yannig Hedel à la galerie...
© » THE INDEPENDENT
Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...
© » ARTEFUSE
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
© » KADIST
Jorge Julián Aristizábal
2017La Masacre de el Aro (The Massacre of El Aro) by Jorge Julián Aristizábal refers to a massacre in Colombia which occurred on October 22, 1997 in the municipality of Ituango, Department of Antioquia...