NSA-Tapped Fiber Optic Cable Landing Site, Mastic Beach, New York, United States

Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...

A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...

Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...

Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...

Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...

Ryan Gander is a collector...

Furthering Alexandra Pirici’s enquiry into the economy and circulation of artworks, Parthenon Marbles is an immaterial version of the sculptural ensemble embodied by five performers...

A Remote Viewing workshop with artists Myriam Lefkowitz and Simon Ripoll-Hurier 11:00am to 1:30pm or 2:30pm to 5:00pm In the heart of Silicon Valley in the 1970s, and under the aegis of the CIA, a group of scientists and psychics developed a technique intended to channel extra-sensory perceptions in an effort to produce descriptions of distant targets...

Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Porter notre part de la nuit — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Porter notre part de la nuit Exposition Techniques mixtes Thu-Van Tran, Novel Without a Title #2, série Novel Without a Title , 2019 Bronze, patine chimique et rehauts colorés — 20 × 167 × 20 cm Collection MAC VAL — Musée d’art contemporain du Val-de-Marne — Acquis avec la participation du FRAM Île-de-France...

Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...

Half Dome Hough Transform by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...

Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...

The Crime of Art is an animation by Kota Ezawa that appropriates scenes from various popular Hollywood films featuring the theft of artworks: a Monet painting in The Thomas Crown Affair (1999), a Rembrandt in Entrapment (1999), a Cellini in How to Steal a Million (1966), and an emerald encrusted dagger in Topkapi (1964)...

Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...

Paint and Unpaint is an animation by Kota Ezawa based on a scene from a popular 1951 film by Hans Namuth featuring Jackson Pollock...