16 x 24 cm
Em’kal Eyongakpa was born in Cameroon in 1981. After obtaining a postgraduate diploma in Botany and Ecology, he decided to concentrate exclusively on visual and sound art. His use of poetic, symbolic and surrealistic imagery is often sprinkled with paradoxes that challenge the obvious. His work explores human conditioning over time in relation to information, ideological consumption, freedom and identity crises. The Naked Routes series is related to the history of colonialism. The photographs are taken in places historically weighted in the history of colonization in Cameroon. Working from history and documentation but also from dreams and personal observations, Em’kal Eyongakpa stages himself and performs singular rituals. Repetition and transformation which seem crucial to these rituals find a visual translation in the black and white photographs. The works n°1 and 21 are also very evocative, outlining a long-term yet brutal narrative that has to be worked out by the spectator.
Em’kal Eyongakpa was born in Cameroon in 1981. After obtaining a postgraduate diploma in Botany and Ecology, he decided to concentrate exclusively on visual and sound art. His use of poetic, symbolic and surrealistic imagery is often sprinkled with paradoxes that challenge the obvious. His work explores human conditioning over time in relation to information, ideological consumption, freedom and identity crises.
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Icaro Lira has been developing the project “Museum of the Foreigner” since 2015, in which he recounts the trajectories of populations inside Brazil, from the north to the big cities of the south...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...