A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face. Li then leaves. The performance highlights the vulnerability of the artist’s body within public space as well as the state of the capitalist world in which a person can be hired online to commit a minor act of violence.
Li Liao is a performance and video artist who focuses on the absurdities of everyday life to address issues surrounding public space and capitalism. He challenges distinctions between everyday life and artistic practice, and between public and private life. He uses his own body, life, and labor as an art object and artistic practice, sometimes creating durational pieces knit into the fabric of daily life.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...