A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face. Li then leaves. The performance highlights the vulnerability of the artist’s body within public space as well as the state of the capitalist world in which a person can be hired online to commit a minor act of violence.
Li Liao is a performance and video artist who focuses on the absurdities of everyday life to address issues surrounding public space and capitalism. He challenges distinctions between everyday life and artistic practice, and between public and private life. He uses his own body, life, and labor as an art object and artistic practice, sometimes creating durational pieces knit into the fabric of daily life.
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Peasant Sensation Passing Through Flesh – 3 consists of a massage chair fixed to a wall...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...