51 x 41 cm
This selection of photographs taken between 2014 and 2019 focus on Piotrowska’s long-term preoccupation with issues of domesticity and containment. The images depict young isolated women in domestic environments, holding various unnatural postures: we see a hand raised to a face, as if in a trance; limbs precariously balanced or ambiguously entangled, contorted against an unseen adversary. It is unclear whether gestures are benign or threatening, whether these women are menacing or being menaced. These photographs are inspired by illustrated self-defense manuals and the work of feminist and psychologist Carol Gilligan. Piotrowska appropriates the formulaic step-by-step approach of the manuals but instead of showing two people in contact, she photographs the (re)actions of one woman in conflict with an unknown, absent subject. Gilligan’s research for its part revealed a tendency in adolescent girls to silence their inner voice to comply with the structures of patriarchal society, Piotrowska seeks to (re)present their agency in corporeal form, and depicts – through the invisible opponent – the underlying pressures they have to confront.
Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian. Her work investigates the symbolic and invisible power structures that constrain personal behaviors, singling out how culture, politics, and history impact each person’s intimate and emotional life. Documenting gestures of care, self protection, or control, Piotrowska’s images render these daily scenes uncanny through attentive composition. Piotrowska does not consider her photographs to be documentary but rather sees them as performances, where the characters’ poses, facial expressions and movements are carefully directed.
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
Dreaming of the dream of the dream is a 16mm projection consisting of images of waves that come and go continuously...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
In Escaped Lunatic , a steady stream of figures run across the screen, sprinting, jumping, and rolling through the streets of Houston...
The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Weekly Picks: Malaysia (26 Nov – 2 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 26, 2018 Symposium – How Easily Modernism Could Be Disturbed , at ILHAM Gallery, 1 Dec, 10am–6:30pm A symposium in conjunction with the Latiff Mohidin: Pago Pago (1960–1969) exhibition in the gallery...
Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006...
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Forgotten Statues , 2020 continues the artist’s reflections on power and the fragility of works of art...
246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument...