25 x 37,5 cm
Phinthong made four photographs depicting fragments of meteorites of which the faces have been polished to reflect the sky. Lying on the ground, on what appears to be woodland ground, the form of the meteorite disappears and the reflections of the clouds seems like a piercing of the ground.
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems. They are the result of a dialogue, and bring all their poetic forces from an almost invisible artistic gesture. From his travels, the artists collects objects, materials, and stories that he assembles in his work. He often looks at gathering forms and matters that are opposite but that complete and correspond to one another.
Four knives appearing as if thrown at the wall to alleviate frustration and boredom, form rhythmic shadows and markings of time above a translated phrase boldly printed in simplified Chinese and English...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
Weekly Picks: Malaysia (24–30 Dec 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 24, 2018 Tales of Apocalypse Exhibition by Latif Maulan , at Galeri Titikmerah, 22–31 Dec An exhibition of recent artworks by contemporary self-taught artist Latif Maulan, in the artist-run space Galeri Titikmerah in Publika...
In 1980, with the construction of highways in Indigenous territories, an epidemic was brought to the Yanomami region...
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Cloud Gate Dance Theatre of Taiwan: Between East and West, Heaven and Earth | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Liu Chen-hsiang April 8, 2019 By Stephanie Burridge (800 words, four-minute read) Sustainability, remaining fresh and engaging is challenging in the present day, content-saturated global world...
The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
“Possibly Painting”at Five Myles advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 “Possibly Painting”at Five Myles Roger Loft: Portraits, 2016 – 2023, epoxy, dynel, fiberglass, wood diverse sizes...
Société Anonyme: Week 5 March 3 – 16, 2008 Saturday, March 8, from 6 – 9 p.m Presentation of “Art conceptuel, une entologie” (Editions MIX, edited by Gauthier Herrmann, Fabrice Reymond & Fabien Vallos) “Art Conceptuel, une entologie” is a collective translation experience of 278 conceptual artworks, most of them available for the first time in French...