26 x 18,1 cm x 2
Untitled was part of the 2002 exhibition “Drawings for the Austrian School” held at the D’Amelio Terras gallery in New York. For this occasion, Morris created a language of his own by using acrylic, ink, graphite and ballpoint pen on paper. The exhibition title comes from Morris’ interest in the early 20th century Austrian economist Joseph Schumpeter, a one time Austrian Minister of Finance, bank director, and economics professor who taught in Europe and at Harvard University. He is considered the founder of “evolutionary economics.” One of his most well-known economic terms is “creative destruction,” which states that entrepreneurs with new ideas must destroy business models and practices that came before them in order to stimulate economic change. Many of Morris’ earlier drawings are dedicated to technology companies that no longer exist, having been incorporated into larger organizations or made obsolete by changes in the market, exemplifying Schumpeter’s process. Untitled refers to these theories, layering together repetitive motifs that subtly mutate from one page to the other.
John Morris practices what critic Allan Weiss calls “ poetics of the ad infinitum” an ecstatic but precise doodling in which handmade marks stand for unrepresentable holism. His drawings are roughly the size of lined binder paper and are often made on just this unassuming support. For Morris art is a direct, indexical and therefore euphoric transcription of thought, in which every sign is motivated by some mystical urgency known only to the author. John Morris was born in 1965. He lives and works in Pittsburg.
Foreigners Everywhere is a series of neon signs in several different languages...
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Women Are the Post-Apocalyptic Future Skip to content Dana Schutz, "Civil Planning" (2004), oil on canvas (all photos Ela Bittencourt/ Hyperallergic ) BERLIN and PARIS — In recent years, impending ecological apocalypse has spurred a number of contemporary artists to visualize fears of an environmental collapse...
Box Trucks – Some of the Best Graffiti On Wheels | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Jaime Rojo has built an impressive collection of photographs of these, capturing the essence of New York’s streets through his lens with an array of box trucks that weave and jolt their way through traffic, often seen opening their gates to load and unload amidst the noise of city life...
Black Figures, Modern Art Enter the Met’s European Painting Galleries – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 20, 2023 10:31am Pablo Picasso joins El Greco in the Met's new European paintings presentation, which expands the purview to include modern art...
Long Life, Low Energy: Designing for a Circular Economy | Tate Liverpool An exhibition from the Royal Institute of British Architects about the climate emergency and its relation to architecture Tate Liverpool and the Royal Institute of British Architects (RIBA) are forming a new partnership on Liverpool’s waterfront...
Yes, Toronto based Bahamian artist Gio Swaby is back on the podcast! I only had her on seven months ago, but since then her career has exploded… clearly, we need to hear everything! From articles in the New York Times and interviews on oprah.com, to five (FIVE!) museums acquiring her work! Also, can we talk […]...
Drinks at 6pm, Screening at 7pm This filmic portrait of Guy de Cointet , the French-born, California-based artist, compiles interviews with friends and colleagues such as John Baldessari , Larry Bell , Richard Jackson , Morgan Fisher , Paul McCarthy , Robert Wilhite , Christophe Bourseiller , Violeta Sanchez, and Gus Foster ...
Made between 1986 and 2015, Buchanan’s Shack Sculptures are a result of the artist’s close observation and extensive research of ‘shotgun’ houses, where one room is arranged in sequence one behind the other; the rural poor inhabited these houses...
Illusions of home, and the hyper-capitalism behind technology, explored in show by Hong Kong artist who finally feels at home … in Finland | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A still from Everything is a Projection (2023), a video in which Hong Kong-born, Finland-based artist Sheung Yiu explains what it felt like to rediscover childhood comic books and how he tried and failed to preserve their essence...
Online Seminar: Frequencies of Tradition With Anselm Franke, Ho Tzu Nyen, Chia Wei Hsu, Yuk Hui, siren eun young jung, Jane Jin Kaisen, Ayoung Kim, Hyunjin Kim, Hwayeon Nam, Emily Wilcox, and Soo Ryon Yoon The Times Museum and KADIST present three online sessions that consider tradition as a contested space, where one can critically reflect on Asian modernization and the Western canon...
How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World | Artsy Skip to Main Content Advertisement Art Market How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World Maxwell Rabb Jan 23, 2024 10:06PM Portrait of Jonathan LeVine wearing a Fez by Dylan Egan...