Unfollow is a music video by Yung Jake featuring a man haunted by the shadows of a former relationship. With the omnipresence of social media in our daily lives, breaking up in the physical world no longer suffices: posts by his ex-lover still appear in his newsfeed, reminding him of her presence and thus making it harder from him to let go of his relationship. As the ‘unfollow’ button on social media appears to be the only way to break up completely, Unfollow underlines the barrier between our online and offline identities and the difficulty to separate them.
Yung Jake is a visual artist and YouTube rapper based in Los Angeles whose work fuses new media, music, and art. Deeply rooted in a millennial zero, his practice incorporates the vernaculars of social media, internet and rap culture, and combines them through a playful use—or misuse—of digital technology. Yung Jake came to prominence after releasing the music video Datamosh in 2011, a work where the artist deliberately applied glitches and pixelation to give the footage a hallucinogenic, dream-like effect. A year later he released the video E.m-bed.de/d, which somehow takes over the viewer’s browser to deliver a music video through an elaborate sequence of transitions between pop-ups that open, close, expand and flicker. Although several of his works are developed entirely for the internet, some pieces by Yung Jake are sculptural or designed to hang on a wall. In a recent series of sculptures, the artist combines prints of popular video-game and cartoon characters with scrap metal, spray paint, stickers, tape, ink, monitors and handwritten text. Another popular body of work is comprised by portraits of celebrities—such as Kim Kardashian, David Bowie, Anthony Bourdain and many others—made entirely out of emojis. Beyond their overt relationship to the hustle and bustle of social media, in the words of the artist: “when things are iconic/famous it’s safe to assume most people have a relationship with that thing so it fills an object with energy in a way.”
Vishal Jugdeo, VQUEERAM / EPISODES Screening and presentation, followed by a discussion with artist and scholar, Tina Takemoto The experimental documentary video portrait VQUEERAM (2016–ongoing) is part of a collaborative project initiated by Los Angeles-based artist Vishal Jugdeo with Vikram “Vqueeram” Aditya Sahai, a poet, activist, and teacher based in New Delhi, India...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest...
The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined...
The latest exhibition at England's Baltic sets a whole new bar for showing art in a climate crisis Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Green is the New Black blog The latest exhibition at England's Baltic sets a whole new bar for showing art in a climate crisis Stepping Softly on the Earth embodies the themes of sustainability and interconnectedness both in its theme and how it has been put together Sponsored by Louisa Buck 6 February 2024 Share Stepping Softly on the Earth brings together work by more than 20 artists from across the world, whom together challenge our human-centred perspective Photo: John McKenzie @ Baltic Centre for Contemporary Art Green is the new black In this monthly column, Louisa Buck looks at how the art world is responding to the environmental and climate crisis...
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
Les Chenilles by Michelle and Noël Keserwany is a sensual film that translates the source of women’s oppression into the means for their liberation...