29:45 minutes
Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia. This narrative is contested through a fictional retelling of the 1819 siege of Al Dhayah fort and the subsequent Pax Britannica treaty that solidified Britain’s military presence in the Trucial States. Relayed across various locations and times in Ras Al Khaimah through the perspectives of an ancient jinn, the ghost of an Al Qasimi pirate, two RAK-based sisters, a Jack Sparrow impersonator and ship captain, and an 1819 British naval officer, the film challenges Western-centric historiographies of the Gulf and the lingering imperialist interests at play across Asia’s modern-day trade hubs. The film also grounds this conflict of portrayal in the twenty-first century by drawing parallels to pirate video games and movies in contemporary culture. The film was co-produced by Sharjah Art Foundation and KADIST, and premiered at the Sharjah Biennial 15: Thinking Historically in the Present opening in February 2023.
Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states. Dividing her time between Dubai and New York, Al Qasimi has integrated her practice as a social critique and observation of the layered aspects of each place indirectly. Through her bold and vibrant photographs, she explores the unspoken social norms and values embedded in a place, a moment, or an object. Creating work that confront commonplace notions of figurative photography and portraiture, Al Qasimi’s works challenge the viewer to consider their own understanding of reality, aspiration, individuality, and the reflected image.
Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoine Grumbach — Les Yeux du Ciel — Galerie Jeanne Bucher Jaeger | Paris, Marais — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoine Grumbach — Les Yeux du Ciel Exposition Architecture, art urbain, dessin, installations.....
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015)...
Silent Rooms, Silent Memories: “Flowers” by Drama Box | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Drama Box May 16, 2019 By Akanksha Raja (1,155 words, 5-minute read) It’s a series of plastic white flower-fans lining the fence of 74 Jalan Kelabu Asap that lets me know that I’ve arrived at the site of Drama Box’s first work of 2019, Flowers , an experiential installation set in a quaint two-storey landed house in Chip Bee Gardens...
With Martha Araújo, Milena Bonilla, Angelica Mesiti, Shitamichi Motoyuki and Emilija Škarnulyte Curated by Marie Martraire, director of KADIST, San Francisco Reflecting on the relationship between History and memory, the group exhibition Moving Stones focuses on the body as a site of engagement to address our collective past embodied in public monuments...
L’exigence de la saudade Curated by Zasha Colah and Sumesh Sharma, Clark House Initiative, Bombay With: Padmini Chettur, Prajakta Potnis and Zamthingla Ruivah And the participation of: Nalini Malani, Krishna Reddy, Jean Bhownagary, Maarten Visser Intervention in the public space by: Justin Ponmany, Prabhakar Pachpute The exhibition brings together three artists from distant geographies within India – Padmini Chettur, a contemporary dancer, Prajakta Potnis, a visual artist, and Zamthingla Ruivah, a master weaver, whose works are conceptually engaged with remnant cultural forms, not as endangered traditions, rather to reinvent them in the present...
Yoshinori Niwa’s investigation into the monetary system and material goods is witnessed across a range of his works...
Untitled exemplifies the format that Anna Bella-Papp most commonly works in, using her hands to create delicate tablet-like reliefs within a rectangular form made out of clay...
Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
Arima’s free brushstrokes gesture towards traditions in Expressionist painting, and Ticket could be seen as an attempt at “pure painting” in which the aesthetics of the medium supersede content...
Life and Death Explored At Art Stage Singapore – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Life and Death Explored At Art Stage Singapore by Christina Lee Jan 25, 2016 in NEWS 0 Portrait, Nunzio Paci...
Recovered Van Gogh Masterpiece Takes the Spotlight Again - Artcentron Home » Recovered Van Gogh Masterpiece Takes the Spotlight Again ART Feb 10, 2024 Ξ Leave a comment Recovered Van Gogh Masterpiece Takes the Spotlight Again posted by ARTCENTRON Vincent van Gogh, The Parsonage Garden at Nuenen in Spring (1884)...