Ukraine-Russia / Volleyball
1992 - Photography (Photography)
40 x 49.5 cm
Victor & Sergiy Kochetov
Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region. It’s a typical Soviet sculptural composition, thousands of which were casted in the USSR during this period. Many can still be found all over post-Soviet territories, leading to regular debates on the destiny of this visual heritage in Ukraine. Looking at the shabby state of the figures, it’s difficult to believe the Kochetovs’ image was taken just a year after the collapse of the USSR. The photograph is metaphorical for Ukrainian-Russian conflict, as the inscriptions “Kyiv” and “M” (hinting at Moscow) are highlighted on the jerseys of the volleyball players. In light of ongoing Russian aggression in Ukraine, this scene can be perceived as an anti-monument to the system that exhausted all its inner relations. The sculptural composition becomes a testimony of the past, and the overpainting reveals the traces of time.
Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories. A significant part of his body of work was created together with his son Sergiy Kochetov. The Kochetovs’ art practice is based on cooperation and the mutual exchange of ideas. Their collaborative work shifts focus to scenes of bold, non-staged reality of the late-Soviet to post-Soviet periods. The artists are well-known for their extensive usage of hand-coloring black and white prints, which is rooted in the tradition of “luriki”—enlarged, retouched, and often tinted photographic portraits. Both Viktor and Sergiy Kochetov belong to the Kharkiv School of Photography. Since the mid-70s, the artists associated with this movement have treated photography in an unconventional way, developing personal aesthetics by defying the cultural taboos associated with representation. Their experiments created an iconography that went against the codes of social realism used to glorify the repressive Soviet state.
Colors:
Related works sharing similar palette
© » THE GUARDIAN
Restoration expert broke planning laws with work to his Cotswolds farmhouse | Gloucestershire | The Guardian Skip to main content Skip to navigation Skip to navigation John Evetts admitted carrying out work at his £1.5m farmhouse in the village of Saintbury, near Chipping Campden, without planning permission...
© » KADIST
Book Fair 12pm-7pm, Events 1pm-6:30pm Book Fair Participants: The Basement, Colpa Press, EGGY PRESS, Juana Berrio, LEAP ??? magazine (magazine in residence at Kadist), Matt Borruso, Owl Cave Books, Pier 24 Photography, Publication Studios, Rite Editions, 2nd Floor Projects, San Francisco Cinematheque, TBW Books, and THE THING Quarterly...
© » KADIST
Sofía Córdova
2021Set some time in the future, Sofía Córdova’s multi-channel film installation GUILLOTINÆ Wanna Cry, Act Yellow: Break Room imagines a public that worships pop stars and revolutionary leaders equally...
© » PRISHTINA INSIGHT
Worker Fatality Rates Still High, BIRN Report Uncovered - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Workers labor on the construction site amid the ongoing coronavirus COVID-19 pandemic in Pristina, Kosovo, 24 November 2020...
© » ART & OBJECT
Valuable Paintings Found in Unusual Places | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTS EQUATOR
Weekly Southeast Asia Radar: Art in the time of COVID-19 and more | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Via Philippine Daily Inquirer March 19, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » 1854 PHOTOGRAPHY
How can photography heal past trauma? Ask a friend - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Sophie Russell-Jeffrey Collaborating with her childhood friend, Sophie Russell-Jeffrey was able to access the most difficult episodes of their past – and push her portraiture into raw new territory Sophie Russell-Jeffrey was born and raised in Towcester, a small East Midlands town of around 10,000 people where “everyone knows everyone’s business”...
