For the collage U. S. Treasury Nose Segalove appropriated an image of a governmental-type agent inspecting an object on a table with a magnifying glass. By inserting written comments like “not a straw,” “not a spoon,” “not a razor blade,” the artist equates the inspector with a cocaine user. In this way, with keen, deadpan humor, the artist refers to all the stereotypes and social clichés associated with drug abuse particularly in the 1970s. At the same time U. S. Treasury Nose suggests illegal activity related to drugs within the American government and its policies.
In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years. While her early work deployed the bureaucratic style and deadpan humor of much 1970s conceptualism, it has not had the same historical reception as many of her male peers. And because she did not embrace the activist postures or the socio-political concerns of feminist artists, Segalove’s has not until recently received appropriate critical attention.
Everything In Its Right Place: The Body Politic and the Body | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nabilah Said December 22, 2019 By Nabilah Said (1,400 words, 7-minute read) “You’re a guest, you’re a guest, you’re a guest.” This anodyne version of the Beauty and The Beast song played in my head as I walked through the exhibition The Body Politic and the Body , currently on at ILHAM Gallery in Kuala Lumpur...
Podcast 92: Critics Live: OIWA by The Finger Players at SIFA 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Arts House Limited July 3, 2021 Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA)...
Institutional failure, Trump’s Agenda, and Meme-Driven Conservative Movements: A Talk with Nayland Blake About AFC Board AFC Editions Donate Art F City Institutional failure, Trump’s Agenda, and Meme-Driven Conservative Movements: A Talk with Nayland Blake by Paddy Johnson and William Powhida on June 29, 2020 Explain Me + Podcast Tweet Boogaloo Boys show off posters supporting Trump at a demonstration Artist Nayland Blake joins the podcast to discuss the murder of George Floyd at the hands of a white police officer, mass protests, and the resurgence of COVID as the backdrop for public art and how museums are addressing diversity...
Art Basel Hong Kong shaping up to be biggest in years, with 242 exhibitors signed up | South China Morning Post Advertisement Advertisement Hong Kong economy + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Art Basel Hong Kong will welcome 242 galleries for its fair next year, organisers have said...
Podcast | The Year in Review 2023: the biggest stories and the best shows | The Week in Art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast The Year in Review 2023: the biggest stories and the best shows From the British Museum thefts to the consequences in art and heritage of the Israel-Hamas war Sponsored by Hosted by Ben Luke ...
Changi, Singapore, possibly 1970s is from the series “As We Walked on Water” (2010-2012), which looks into Singapore’s history around the phenomenon of land reclamation...
In this work, Saâdane Afif quotes André Cadere’s round wooden batons using the copy share and remix principles...
Vietnam's visual arts and COVID-19 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Nguyen Duc Phuong July 30, 2020 By Quyen Hoang (2,100 words, 8-minute read) On a rainy evening towards the end of May 2020, it seemed like Saigon’s most dapper guys and modish gals all flocked to Galerie Quynh...