For the collage U. S. Treasury Nose Segalove appropriated an image of a governmental-type agent inspecting an object on a table with a magnifying glass. By inserting written comments like “not a straw,” “not a spoon,” “not a razor blade,” the artist equates the inspector with a cocaine user. In this way, with keen, deadpan humor, the artist refers to all the stereotypes and social clichés associated with drug abuse particularly in the 1970s. At the same time U. S. Treasury Nose suggests illegal activity related to drugs within the American government and its policies.
In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years. While her early work deployed the bureaucratic style and deadpan humor of much 1970s conceptualism, it has not had the same historical reception as many of her male peers. And because she did not embrace the activist postures or the socio-political concerns of feminist artists, Segalove’s has not until recently received appropriate critical attention.
Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*...
Trevor Paglen’s ongoing research focuses on artificial intelligence and machine vision, i.e...
Blindseye Arranger (Max) (2013) features a greyscale arrangement of rudimentary shapes layered atop one another like a dense cluster of wood block prints, the juxtaposition of sharp lines and acute angles creating an abstracted field of rectangular and triangulated forms composed as if in a cubist landscape...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Everything In Its Right Place: The Body Politic and the Body | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nabilah Said December 22, 2019 By Nabilah Said (1,400 words, 7-minute read) “You’re a guest, you’re a guest, you’re a guest.” This anodyne version of the Beauty and The Beast song played in my head as I walked through the exhibition The Body Politic and the Body , currently on at ILHAM Gallery in Kuala Lumpur...
Podcast | The Year in Review 2023: the biggest stories and the best shows | The Week in Art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search The Week in Art podcast The Year in Review 2023: the biggest stories and the best shows From the British Museum thefts to the consequences in art and heritage of the Israel-Hamas war Sponsored by Hosted by Ben Luke ...
While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic...
In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Leonardogillesfleur describes Myself as a Fountain : “The couple kissing in the park...
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...