One Million is a video work depicting the counting of bills. Divided into three versions, the video first shows a number of Japanese ten-thousand-yen bills being counted without in an orderly, efficient manner. In Two Million , a similar counting of one-thousand-dollar bills from Hong Kong follows. However, a closer viewing of the videos reveal that they were created by looping the same scene of moving fingers, giving the illusion that many bills are being counted when, in fact, only a few are in the scene. Beyond commenting on the illusions of transactions and interdependencies in a regional economy, the video calls attention to the way media distort quantity as well as manipulations of values occurring with the transcoding of economic units into visual data. The false appearance of accountability presented in One Million and Two Million highlight the instability underlying the desire for convenience and efficiency in a globalized, media-dependent economy.
Kwan Sheung Chi obtained a third honor B.A. degree in Fine Art from The Chinese University of Hong Kong. In 2003, Kwan manufactured an exhibition history and CV for himself, hosting a retrospective as his first solo show towards the end of art school in order to critique the unspoken conventions of the contemporary art system. In general, Kwan’s works explore the nexus between art and text and use repetition as a constant measure of time and a metaphor for life, as he states: “Repetition gives the work power.” He is especially interested in how meaning is constructed, who makes art, and its interactions with other people, places, and things as part of the work’s cultural context.
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review New book sees ‘outsider artists’ as part of a creative spectrum rather than a world apart The publication also explores how artists on the periphery might interact with the art market Claudia Barbieri Childs 6 February 2024 Share Portuguese-born, UK-based artist Manuel Bonifacio’s Motorbike and Man (2012) Courtesy the Outside In Collection The book Outside In: Exploring the margins of art presents works by a group of mostly contemporary “outsider” artists and argues a case for critiquing them on merit—and the outsider art category in general—within the mainstream of the art canon...
The Substation: An unstoppable force and an immovable object | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Substation's Facebook page, taken by Mish'aal March 9, 2021 By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation...
‘Silence is unacceptable’: artists gather outside Art Basel in Miami Beach to protest ongoing war in Gaza Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news ‘Silence is unacceptable’: artists gather outside Art Basel in Miami Beach to protest ongoing war in Gaza Art community joins South Florida Coalition for Palestine's demonstration outside the fair Anny Shaw 9 December 2023 Share Activists protesting outside the convention centre on Friday were closely watched by dozens of police officers © Liliana Mora More than 100 Miami-based artists and members of the South Florida Coalition for Palestine, which includes groups such as the Jewish Voice for Peace, gathered outside Art Basel in Miami Beach on Friday afternoon to protest what they describe as “Israel’s genocidal campaign” against Palestinians in Gaza...
Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Galerie Analix Forever — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guillaume Chamahian — Détritique 2 Exposition Photographie, techniques mixtes, vidéo À venir Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 Dans 2 jours : Mercredi 20 décembre 2023 15:00 → 21:00 Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Prix Marcel Duchamp — 2023 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Prix Marcel Duchamp — 2023 Exhibition Mixed media Upcoming Prix Marcel Duchamp 2023 — Bertille Bak, Bouchra Khalili, Tarik Kiswanson et Massinissa Selmani © ADIAF Prix Marcel Duchamp 2023 In 9 months: October 2, 2023 → January 2, 2024 Bertille Bak, Bouchra Khalili, Tarik Kiswanson and Massinissa Selmani are the four finalists of the 2023 edition of the Marcel Duchamp Prize...
The future of the arts in Singapore and Australia: Highlights from the Statistically Speaking webinar | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 12, 2021 ArtsEquator organised a webinar titled “Statistically Speaking: Analysing arts audience engagement in Singapore and Australia” on Thursday, 28 January...
AI Helps Families Forge "New Moments" with Lost Loved Oes Home / Photography AI Used to Help Families Forge “New Moments” With Lost Loved Ones By Jessica Stewart on January 31, 2024 Photographer and lawyer Alper Yesiltas has been an early adopter of AI, using the technology to see how he can manipulate existing imagery...
Almost One by Jeamin Cha dives into an uncomfortable meditation on the relationship between socialization, performativity, truth, and childhood, filtered through the optics of a children’s acting class in South Korea...