Two Little White Piles, Autumn 1980, Karluv Most, Manesuv Most, Prague, 1980

All Kovanda’s artistic practice poses the question of visibility...

The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident...

Weekly Picks: Singapore (24 - 30 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 25, 2018 鞭爱 Oedipus by Toy Factory Productions Toy 肥料厂 , NOWPlaying@17, 17A Smith Street, 21, 22, 28, 29 Sep 2018 鞭爱 Oedipus by Toy Factory Productions presents the case of a senseless murder where a severely disabled man Wang Jia Hao has whipped his 50 year old mother to death...

Shirin Neshat: ‘Since I was a child, I've been very afraid of men in uniform’ - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from The Fury, 2023 © Shirin Neshat...

“Guards at the Taj”: The Bloody Brushstrokes of Beauty | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Singapore Repertory Theatre November 27, 2018 By Naeem Kapadia (885 words, four-minute read) First there’s its scale – with its magnificent marble dome, soaring pillars and lush surrounding gardens...

All Kovanda’s artistic practice poses the question of visibility...

Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...

This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...

Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...

In the video Negro sobre Negro (Black on Black) all we see is a completely black screen on a monitor that is recessed into a wall, also painted black...

In the video Blanco sobre Blanco (White on White) , we see a white man appearing in a white screen embedded into a white wall— alluding to Malevich’s White on White series...

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...

In a style that is unique of Tokoudagba, he evokes the kings, gods and their symbols related to the earth, water, air and fire, usually on a white background...