Dimensions variable
Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent. Under Suleiman’s reign, at the beginning of the 16th century, the Ottoman empire achieved its apex both in terms of territorial extension and cultural creation. Suleiman personally instituted major judicial changes relating to society, education, taxation, and criminal law, as such he is often referred to as ‘The Lawgiver’. For this richly colored mural, Waked appropriates the monogram, which also symbolizes the peak of Islamic art. He then refigures it by inserting, in the lower part of it the monogram, the common directive rukh min hun , which translates to get out of here . This phrase is the only words in Arabic most Israeli soldiers know, and is typically hurled antagonistically towards Palestinian, Muslim, and Arab people living in the Israeli-occupied territories. Waked chose to paint the mural around a doorway, at an expansive scale, to underscore how the phrase has permeated Muslim and Arab culture. With this in mind, Waked’s work addresses the current political situation in the Middle East and Africa, wherein many populations are being forced into exile and commonly unwelcomed wherever they go.
Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine. Waked is also interested in derivatives of classical Islamic culture, such as calligraphy, and the way form and content, or images and text interact in this practice. Without really holding a cynical approach, in his dive to the depths of the cultural implications of Israeli occupation, he illuminates anecdotic events that illuminate its cruelty.
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
A History of Violence: The Sharp Edges of "Cerita Cinta" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography November 8, 2018 By Nabilah Said (1000 words, four-minute read) The most powerful moment of akulah BIMBO SAKTI’s Cerita Cinta is the end...
Director Zeno Graton on ‘The Lost Boys,’ a Queer Love Story Eschewing Shame - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 11 Dec 2023 - Share Born in Brussels and of Tunisian heritage, film director Zeno Graton presents his acclaimed feature debut, The Lost Boys ...
Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey...
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...