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Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent. Under Suleiman’s reign, at the beginning of the 16th century, the Ottoman empire achieved its apex both in terms of territorial extension and cultural creation. Suleiman personally instituted major judicial changes relating to society, education, taxation, and criminal law, as such he is often referred to as ‘The Lawgiver’. For this richly colored mural, Waked appropriates the monogram, which also symbolizes the peak of Islamic art. He then refigures it by inserting, in the lower part of it the monogram, the common directive rukh min hun , which translates to get out of here . This phrase is the only words in Arabic most Israeli soldiers know, and is typically hurled antagonistically towards Palestinian, Muslim, and Arab people living in the Israeli-occupied territories. Waked chose to paint the mural around a doorway, at an expansive scale, to underscore how the phrase has permeated Muslim and Arab culture. With this in mind, Waked’s work addresses the current political situation in the Middle East and Africa, wherein many populations are being forced into exile and commonly unwelcomed wherever they go.
Sharif Waked is a Palestinian artist who’s work enages with with Islamic culture and history, and its interaction with the Israeli occupation and hegemonic Jewish culture in Palestine. Waked is also interested in derivatives of classical Islamic culture, such as calligraphy, and the way form and content, or images and text interact in this practice. Without really holding a cynical approach, in his dive to the depths of the cultural implications of Israeli occupation, he illuminates anecdotic events that illuminate its cruelty.
The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...
Director Zeno Graton on ‘The Lost Boys,’ a Queer Love Story Eschewing Shame - Something Curated Share this: Facebook Twitter Tumblr Features Interviews Profiles Guides Jobs Interviews - 11 Dec 2023 - Share Born in Brussels and of Tunisian heritage, film director Zeno Graton presents his acclaimed feature debut, The Lost Boys ...
Ecotone by Enar de Dios Rodríguez is a video work presented in six chapters, each beginning and ending with a one-sided telephone dialog with an informal, friendly and conversational tone, that leads quickly into complex philosophical subjects...
A History of Violence: The Sharp Edges of "Cerita Cinta" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography November 8, 2018 By Nabilah Said (1000 words, four-minute read) The most powerful moment of akulah BIMBO SAKTI’s Cerita Cinta is the end...
9’oclock (my time is not your time) pertains to a series consisting of three numbers: 5, 10 and 11 works were made for the exhibition “Signs and messages from modern life” at the Kate McGarry Gallery in 2007...
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Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
The Lost Boys: a queer love story set inside a juvenile detention centre | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Film & TV Feature We speak to Belgian filmmaker Zeno Graton about his debut feature film, ‘a real romantic drama’ which follows two young offenders 18 December 2023 Text Nick Chen “I was sick and tired of seeing queer Arab characters being only supporting characters,” says the Belgian filmmaker Zeno Graton...