Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated. One basic illustration of entropy is to imagine white and black sand: once mixed together, it is highly unlikely that the contrasting grains of sand can be separated and restored to their original distinct color groups. Arturo’s Trópico Entrópico ( Entropic Tropics , 2012) considers the colonization of the American continent as a similarly irreversible process of cultural entropy. His inspiration derives from a place near Manaus in the Brazilian Amazon, where the Black River meets with the sandy-colored Solimões River, producing a river of two colors that extends over ten kilometers. In the late nineteenth century, the Brazilian rubber barons decided to commemorate this impressive natural phenomenon by covering the main square of Manaus with a design of black-and-white waveforms made from stones. The square is known as the Encontro das aguas (Meeting of the Waters). Decades later, Roberto Burle Marx used this same pattern in his famous Copacabana walkway in Rio de Janeiro. Since then, the design has spread across the continent to Lima, Bogotá, Cali, and beyond. Trópico entrópico uses this pattern to produce entropy in the exhibition space. Sugar, the material used, signifies one of many economic motivators for colonialism. Visitors are invited to collectively dissolve this modern design by walking on the brown and white sugar, and participating in its entropic mixing.
Felipe Arturo considers elements from urbanism, architecture, and art in relation to politics, history, geography, and economy. His works and projects often manifest as sculptures, installations, or videos, departing from concepts such as structure, sequence, and matter. They are deeply influenced by vernacular architecture and construction techniques, and reflect processes of assimilation and resistance to colonial and postcolonial processes. He frequently combines the language and materials of Modernism (e.g., concrete) with the informal methods of autoconstrucción (self-construction).
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
Off-White Tulips is an intimate, meditative, and tender essay-film composed as a fictional exchange between Black gay writer James Baldwin and the artist, Aykan Safoglu...
Weekly Picks: Malaysia (30 July – 5 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do July 30, 2018 The New Play Project : Book One, at klpac, 1–5 Aug Four staged readings from a project that focuses on storytelling by four KL writers; Ridhwan Saidi, Adiwijaya Iskandar, Juno Hoay-Fern Ooi and Terence Toh...
Au Musée Picasso, à Paris, Léonce Rosenberg ou les mésaventures d’un marchand d’art Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés « Le Combat » (1928), de Giorgio De Chirico...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
In mathematics, the so-called geometric problems of antiquity are shapes that elude the classical tools of an unmarked straightedge and compass...
For his project Book of Veles artist Jonas Bendiksen travelled to the small city of Veles in North Macedonia, inspired by a series of press reports starting in 2016, that revealed Veles as a major source of the fake news stories flooding Facebook and other social media sites celebrating Donald Trump and denigrating Hillary Clinton...
Nathanaëlle Herbelin — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nathanaëlle Herbelin — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nathanaëlle Herbelin Exhibition Painting Upcoming Nathanaëlle Herbelin, Jeremie en pull, 2022 — 22 x 27 cm — Huile sur toile Courtesy de l’artiste © Nathanaëlle Herbelin Nathanaëlle Herbelin In 4 months: April 22 → June 26, 2024 Dates provisoires — Printemps 2024 Fréquentant assidûment les collections du musée d’Orsay depuis l’enfance, l’artiste franco-israélienne Nathanaëlle Herbelin est invitée à mettre en perspective ses toiles et ses sources d’inspiration...
Nigerian artist Chibuike Uzoma brings dreamy paintings to Paris - arts24 Skip to main content Nigerian artist Chibuike Uzoma brings dreamy paintings to Paris Issued on: 30/01/2024 - 16:28 10:16 arts24 © FRANCE 24 By: Jennifer BEN BRAHIM | Valentine ERBA | Marion CHAVAL | Eve JACKSON Follow | Loïc CHALAVON | Sonia PATRICELLI After showing his work internationally, including in London, Lagos, Cape Town and New York, Nigerian-born artist Chibuike Uzoma is in Paris for his first solo exhibition at Galerie Mitterrand...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Artists reflect on Success – Art and Cake July 4, 2023 July 4, 2023 Author Artists reflect on Success Amanda Maciel Antunes POLAROID Mount Wilson I’VE GOT TO TELL YOU SOMETHING self portrait I define success by the ability to contribute to the visualization of the invisible, to communicate the incommunicable and define the elusive...
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...