Tremble
2009 - Film & Video (Film & Video)
6:00 minutes
Jiang Zhi
In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens. Each person displays a different facial expression and body position such as reading a book, arms open for a hug, holding a knife, raising a fist to take an oath. Each gesture reflects some essential social aspect of everyday life: hugging is about caring, taking oath has to do with politics, reading relates to acquiring knowledge, and raising a knife indicates violence. As a result of a hidden vibration machine, the images’ projection screens oscillate vigorously and the contradiction between the shaking screens and the static human figures creates an absurd effect. Through this imposed trembling, Jiang suggests the invisible power that controls modern human behavior. These seemly “out-of-control” actions are often ironically conceived as the most adaptable and mutually-agreed upon tenets of social activity.
Jiang Zhi represents a generation of artists whose practice developed against the backdrop of experimental art in China in the 1990s, during which a series of social and cultural transformation occurred in the country. His work actively deals with issues such as body, gender, identity, consumerism, conflict, fear, power, and temporality, and often involves recent social events. Jiang attended the China Academy of Art and has long been engaged with writing and video art. From 1995 to 2005, Jiang was also an active journalist, which had him on the frontlines of his country’s the social transformation, and all of his experiences have deeply influenced the language and context of his practice. Constantly positioning himself at the intersection between brutal reality and poetic imagination, Jiang’s works presents a complex trajectory of the artist’s everyday life and society at large.
Colors:
Related works sharing similar palette
© » LE MONDE
A Bruxelles, les foires d’art prolifèrent avec la Brafa et Ceramic Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres de Kevin McNamee-Tweed et Anne Marie Laureys, de la galerie Tatjana Pieters, à la foire Ceramic, à Bruxelles, en janvier 2024...
© » ARTNEWS
Michael Stipe on His Collection Exhibition at the Outsider Art Fair – ARTnews.com Skip to main content By Andy Battaglia Plus Icon Andy Battaglia Deputy Editor, ARTnews View All March 2, 2022 11:49am View Gallery 10 Images When Michael Stipe first started engaging with outsider art, he was a young buck learning the curious folkways of Athens, Georgia, while on the cusp of fronting the storied rock band R...
© » LITHUB
Benjamin Moser on What We Can Learn from Failed Dutch Painters ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Liveright Benjamin Moser on What We Can Learn from Failed Dutch Painters "Why do we make art, why do we need it, and how can you avoid becoming a failure?" By Benjamin Moser November 20, 2023 When I was 25, I moved to the Netherlands from London...
© » THEARTNEWSPER
The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ This curatorial triumph highlights the measured artificiality of the German Romantic artist who made work that still mesmerises J...
© » KADIST
Chemi Rosado-Seijo
2016Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
© » ROYAL ACADEMY
The meteoric rise of Angelica Kauffman RA | Article | Royal Academy of Arts Caption toggle button The meteoric rise of Angelica Kauffman RA By Jenny Uglow Published on 2 January 2024 Historian Jenny Uglow tells the story of how Angelica Kauffman became a founding Member of the RA and one of the most revered artists in Georgian Britain...
© » KADIST
Oliver Beer
2011Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance...
© » LENS CULTURE
Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...
© » ARTS EQUATOR
Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
