115 x 90 cm
Trayvon is a series of acrylic paintings by Mona Marzouk that engages the courtroom as its points of departure. The courtroom as a space for the implementation of justice and of legal argumentation, but also through which different affective forces, some hegemonic and others marginalized, battle each other out in their respective quests for acknowledgment, accountability, and retribution. The work was produced at a time during which several popular revolts, such as in Egypt, seemed to have effectively been hijacked by reactionary forces, resulting in the violent dismissal of collective demands for emancipation, including through sham trials and wrongful convictions criminalizing activists, journalists, and protesters. The title of the series refers to the much-publicized case of Trayvon Martin, a Black seventeen-year-old murdered at the hands of a US police officer, who was himself later acquitted of all charges pertaining to voluntary manslaughter. In Trayvon , public trials as theatres of power generate the material from which the paintings are made – evidence, phrases, and uttered sentences become amorphous forms, shapes, and colors. The series is a testament to Marzouk’s long-standing interest in diffusing the boundaries of time by addressing our perception of architectural details and how we witness the unfolding of historical events through mundane symbols and material structures.
Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture. Her early paintings and sculptures vectorized architectural and historical elements, deconstructing and reassembling them into new imaginary compositions. Marzouk’s works, while outwardly subtle in their formal minimalism, encrypt a range of signs that deliver pointed commentary on current political issues, including racism, war, sports, nationhood, fossil fuels, and space technology. Her works are a contemplative invite into the realms of the futuristic and the mythological, and are anything but ordinary. Marzouk envisions aesthetic systems that draw on a diversity of cultural traditions but which can only exist in the realm of the imagination. Her paintings and sculptures reassemble disparate architectural elements from history as well as animal and body parts to construct unified compositions. Castles and cathedrals, crenellations and crustaceans, merge together in fluid form. Her compositions, which often float in the centre of a frame, reference post-minimalism, with their hard edges and flat expanses of solid colour.
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
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© 2023 All rights reserved - The Eye of Photography Art Paris 2023 Champ-de-Mars © Marc Domage Art Paris 2023 - Almine Rech Art Paris 2023 - Galerie Dina Vierny Art Paris 2023 - Galerie Zlotowksi Art Paris 2023 - Vue École militaire 1 The 26th edition of Art Paris 2024 will be held from April 4 to 7 at the Grand Palais Éphémère...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Bath Time by Sharif Waked is a short video based on the tragi-comic outcome of the Israeli Blockade and the wars in Gaza...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Monsters' Ink: A Fiend’s Diary & Heather | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography December 2, 2019 By Nabilah Said (1,500 words, 7-minute read) Spoiler Alert: The following contains major spoilers for the shows A Fiend’s Diary and Heather...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Anne Deguelle — L’Arctique fantôme Exposition Photographie À venir Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme Dans environ 2 mois : 27 janvier → 17 février 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
Tony Cokes’s long-form, multi-channel work Some Munich Moments 1937–1972 forms a layered montage of historical and contemporary source material exploring different periods of Munich’s history...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...