Tierra
2013 - Film & Video (Film & Video)
33:28 minutes
Regina José Galindo
In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial. Tierra depicts the artist standing naked in a lush field that a bulldozer has broken up. The video references an incident in which innocent Guatemalans were brutally murdered and buried in a mass grave. The stark contrast between the machine’s force and the artist’s vulnerable body encapsulates Montt’s regime’s injustice. Moreover, the chasm surrounding her serves as a poignant symbol of the despair and alienation that political violence and tyranny frequently cause.
Regina José Galindo is a visual and performance artist. Her work investigates the universal ethical implications of social injustices such as racial, gender, and other abuses in our society’s inequitable institutions of power. In the context of a newly democratized culture, Galindo has developed a socially and politically motivated practice. She strives to acknowledge her country’s thirty-six years of civil war while also looking forward to a more peaceful and productive future. Galindo’s work focuses on historical issues that persist in the “new” Guatemala. Her work is confrontational and often shocking, bringing to light issues that few Guatemalans are willing to confront. Galindo’s unapologetically graphic actions amplify her contentious statements. She hopes to shake her Guatemalan audience out of their trance, breaking the numbness caused by years of violence. Galindo is best known for her performance work addressing the social, political and cultural violence that has affected her native Guatemala. Her work stages her own body, often submitting it to severe acts in order to evince the mass violence, crimes and sacrifice experienced by indigenous Mayan communities and the women among them who suffered the brunt of the conflict during the thirty-six year conflict. Indifference is not an option for Galindo, by appropriating destruction and loss, her work condemns the abuse of women, and propels viewers to response or resistance.
Colors:
Related works featuring themes of: » Body Art, » Central America, » Feminism, » Contemporary Participation, » Guatemalan
» see more
© » KADIST
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » KADIST
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
© » KADIST
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Other related works, blended automatically
» see more
© » KADIST
Regina José Galindo
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank...
© » KADIST
Andrea Bowers
2015Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » KADIST
Araya Rasdjarmrearnsook
2005The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
Related works sharing similar palette
» see more
© » SOUTH CHINA MORNING POST
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
Related works from the » 2010's created around » Guatemala City, Guatemala
» see more
© » KADIST
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
© » KADIST
Julieta Aranda
2016The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
© » KADIST
Pedro Reyes
2012Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...
Other works by: » Regina José Galindo
» see more
© » KADIST
Regina José Galindo
La Sombra (The Shadow) is a video of Regina Jose Galindo performing with a moving Leopard tank...
Related artist(s) to: Regina José Galindo » Teresa Margolles, » Latin America, » Ana Mendieta, » Alfredo Jaar, » Francis Alÿs, » Javier Téllez, » Tania Bruguera, » Luis Camnitzer, » Mauricio Alejo, » Michael Stevenson
» see more
© » KADIST
Teresa Margolles
2014Stretching between San Pedro and the beach in Altata, Sinaloa, there is a 40 km road where there are three invisible borders controlled by rivalling armed groups...
© » KADIST
Francis Alÿs
2004The Nightwatch , which is an ironic reference to the celebrated painting by Rembrandt, follows the course of a fox wandering among the celebrated collections of the National Portrait Gallery in London...
© » KADIST
Francis Alÿs
2006This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...
Related works found in the same semantic group
» see more
© » KADIST
Pascal Shirley
2006Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...