159 x 129 cm
This year: missing witness by Brook Andrew consists of a multi-layered collage of photographs. The work features newspaper cut-outs of the phrases: “This year: be prepared…” and “missing witness” overlaid onto a disaster scene, upon a worn-up manuscript. Pulled from The New York Times , the image is of a destroyed temple on the Indonesian island of Sulawesi, that has increasingly experienced natural disasters due to climate change. The book cover is an original edition of engravings from the complete works of British satirist William Hogarth (c. 1860). Created during the 2020 pandemic, Andrew’s work points to a series of issues that have moved communities across the world: a global pandemic, climate change, religious and political control, and the Black, Indigenous, and Trans Lives Matter movements internationally. The struggles for more awareness of environmental destruction, human rights, and sovereignty have been discussed for generations. The work’s juxtaposition of historical and contemporary materials underlines the long-term state and urgency of these issues, as well as the anxieties they produce. Contrasting the popular with the academic, the work reveals the ways in which the media and visual culture continue to nurture obsessions with capital, race, and catastrophe, and influencing modes of interpretation that swing from hope and joy to ignorance and despair.
Brook Andrew is a Wiradjuri and Ngunnawal Aboriginal Australian artist and scholar whose interdisciplinary practice examines hegemonic narratives relating to colonialism and modernism. Questioning the social and cultural limitations imposed by power structures, historical amnesia, stereotyping, and complicity, Andrew centers Indigenous perspective in his artworks, museum interventions, and curatorial projects. His dynamic projects uncover suppressed histories and offer alternative interpretations of the legacies of colonialism.
MervEspina and the Green Papaya Art Projects (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 22, 2018 With the support of Japan Foundation and collaboration of Myanm/Art, MervEspina, artist and researcher from Philippines talked about Green Papaya Art Projects whose essence can be rendered as ‘never ripe, never rotten’...
Embracing Uncertainty: In Defense of Question-Seeking Criticism ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Via Phaidon Embracing Uncertainty: In Defense of Question-Seeking Criticism Helen Molesworth on the Uses and Functionality of the Arts and Humanities By Helen Molesworth December 11, 2023 “Why Is the Sky Blue and Other Questions Regarding Writing” was originally published in Documents , no...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
The collector is developing projects that allow her to support artists in her own unique way....
Nghệ thuật Xin giấy phép Triển lãm ở Việt Nam | ArtsEquator Skip to content Tại một đất nước như Việt Nam, nơi có những yêu cầu không rõ ràng về việc trưng bày, Linh Lê nhấn mạnh rằng chỉ cần một thứ tưởng chừng đơn giản như xin giấy phép triển lãm có thể trở thành một cách kiểm duyệt biểu đạt nghệ thuật...
Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood | South China Morning Post Japanese artist Yoshitomo Nara on his art’s meaning, and chasing the ‘carefree freedom’ of childhood Art Yoshitomo Nara, one of Japan’s leading contemporary artists, talks about his influences, from punk rock to Kraftwerk, and what drives him – it isn’t money Kate Whitehead + FOLLOW Published: 7:15am, 29 Jan, 2024 Why you can trust SCMP I am from Aomori, in the north of Japan’s main island of Honshu...
Museum of Natural History to Rectify Collection of 12,000 Human Remains | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
Book Review: "The State and The Arts in Singapore: Policies and Institutions" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Images courtesy of Institute of Policy Studies, Singapore April 9, 2019 By Chin Ailin (734 words, four-minute read) Commissioned by the Institute of Policy Studies of Singapore (IPS) to trace the course of cultural policy in Singapore from the 1950s to the present, The State and the Arts in Singapore: Policies and Institutions is a comprehensive tome that should serve as an essential text in time to come for any student’s introduction to Singapore’s arts and cultural policies...
Ikea Dajlien collections marks the company's wellness debut | Wallpaper The Ikea Dajlien collection, mixing wellness and training equipment with a domestic-led approach (Image credit: Courtesy Ikea) By Maria Sobrino published 11 December 2023 If you think Ikea has conquered every facet of our lives, think twice - think home training as well...