In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs. Although the imagery present in her work might seem nostalgic upon first encounter, Biernoff’s complex tableaux often reveal the artist’s skeptical look towards her subjects matters. They Were Here (2010), constitutes a clear example. The 16 ft long tableau confronts the viewer with a seemingly paradisiacal scene: a tropical deserted island with white sands and blooming trees appears to be a coveted destination. However the scene quickly turns into a dystopian image, once one pays attention to the small details camouflaged inside it: an erupting volcano or a dead bird. Biernoff places a pair of binoculars in front of the painting to reinforce this idea. Looking through their fake mdf lenses, the painted landscape is rendered blurry. The whole scene acts up as the backdrop of a theater act and the prop quality of its elements suggests a certain lightness associated with utopian dreams.
Elisheva Biernoff’s work engages and reconsiders the tradition of painting in an interesting way, often taking source material from media or recreating photographs through a careful trompe d’oeil technique. Thus, her work engages in the discussion of re-representation through painting, not aiming to portray any given reality faithfully but rather as the ideal way to engage with a subject matter that explores the intersection between myths, fictions and fantasies. In some cases, her works also address particular ecological concerns.
The Ballad of Special Ops Cody by Michael Rakowitz is a serio-comic stop motion animated film in which an everyday African-American G...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Weekly Southeast Asia Radar: Artists join in #JunkTerrorBill; Indonesia's promised arts funding | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Arya Dipa via Jakarta Post June 3, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
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geopoliticalThe Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East...
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...
Who pays for art? (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar July 12, 2018 Should museums be funded by the state or by private sponsors? The question looms large with the current problems at Bangkok Art and Culture Centre (BACC), the largest publicly-funded art gallery in the country — and with the rise of many private galleries that seem to flourish with the burgeoning art scene...
The working processes of artists: NADA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 22, 2020 Artists Rizman Putra and Safuan Johari of the duo NADA talk about the evolution of their artistic practice, from being a fictional band at the Malay Heritage Centre to becoming an international art/music juggernaut...
Imperial Creatures: Singapore beyond 'great men' history | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of NUS Press August 11, 2020 Singapore’s bicentennial year in 2019 sparked great discussion and debate about the legacies of imperialism and colonialism, which continues till today, in step with larger conversations happening globally around decolonisation, indigeneity and civil rights...