In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs. Although the imagery present in her work might seem nostalgic upon first encounter, Biernoff’s complex tableaux often reveal the artist’s skeptical look towards her subjects matters. They Were Here (2010), constitutes a clear example. The 16 ft long tableau confronts the viewer with a seemingly paradisiacal scene: a tropical deserted island with white sands and blooming trees appears to be a coveted destination. However the scene quickly turns into a dystopian image, once one pays attention to the small details camouflaged inside it: an erupting volcano or a dead bird. Biernoff places a pair of binoculars in front of the painting to reinforce this idea. Looking through their fake mdf lenses, the painted landscape is rendered blurry. The whole scene acts up as the backdrop of a theater act and the prop quality of its elements suggests a certain lightness associated with utopian dreams.
Elisheva Biernoff’s work engages and reconsiders the tradition of painting in an interesting way, often taking source material from media or recreating photographs through a careful trompe d’oeil technique. Thus, her work engages in the discussion of re-representation through painting, not aiming to portray any given reality faithfully but rather as the ideal way to engage with a subject matter that explores the intersection between myths, fictions and fantasies. In some cases, her works also address particular ecological concerns.
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Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery By CLARE GEMIMA December 13, 2023 The intellectual landscape of sculptures and drawings in Whitney Oldenburg's latest exhibition, Ticket to Paradise (notably the work in the show entitled Feeding Frenzy), scrutinizes the intricate dynamics between protection and waste in the context of contemporary consumption...
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