Framed: 21 x 28 cm
They burn our village by Aung Ko is part of the artist’s daily visual diary as an attempt to process and note what has been happening in Myanmar while he is being exiled, following the military takeover of the government in February 2021. Almost two years ago, Myanmar’s military ousted the democratically elected government of Aung San Suu Kyi and seized power in a coup. Since then, the country has descended into turmoil. The military has used violence and terror to stamp out dissent and silence opponents. Alongside massacres, the military has increasingly deployed a scorched earth campaign as part of its intensifying reign of terror, burning villages and buildings in other civilian areas, such as the one in the background of this drawing.
Aung Ko works with painting, film, installation, and performance. As an artist, Aung Ko’s work is an ongoing commentary on modern Myanmar’s political and social contexts. Censorship, injustice, and power are themes he often explores. In 2007 he started an ongoing art project in his village titled Thuye’dan Village Art Project. The village’s primary source of income is charcoal production. The village is isolated, and because of the ammunition factory nearby, the inhabitants live in fear, while visitors and the public are generally forbidden. Aung Ko and his wife Nge Lay have invited artists to create performances, mobile sculptures, and other artworks collaborating with the village and its residents.
Freedom Talks: Arts and Culture in Southeast Asia: Proxy Wars | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 16, 2020 Safe Havens Freedom Talks presents a panel titled “Arts and Culture in Southeast Asia: Proxy Wars” in collaboration with ArtsEquator...
10 Emerging Galleries to Watch in Foundations | Artsy Skip to Main Content Art Market 10 Emerging Galleries to Watch in Foundations Maxwell Rabb Jan 25, 2024 5:31PM The second iteration of Foundations , Artsy’s online art fair, brings together more than 130 galleries from 36 countries, showcasing a diverse array of emerging talent in the digital art market...
She made gods for 70 years: meet the matriarch of Singapore’s last handcrafted Taoist deity producer | South China Morning Post Advertisement Advertisement Asia travel + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more Tan Chwee Lian is the matriarch behind Say Tian Hng, Singapore’s last Taoist idol business...
The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...
Pandemic in the Philippines: A cultural sector on its own | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles August 17, 2020 By Katrina Stuart Santiago (2,200 words, 8-minute read) When I was first asked to write about “cultural leadership” in the Philippines, I turned up a blank...
And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Performance Making during a Pandemic: Of Innovation, Form and Embeddedness | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kornkarn Rungsawang September 29, 2021 By Adriana Nordin Manan (1,000 words, 3-minute read) If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more about sharing examples of performances that exemplify the act of moving ahead despite the barriers...
Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review Cities are the heroes in an 'easy-going and unpreachy' publication that takes us on whirlwind tour of art history Fifteen art capitals are captured at their brilliant apogee in Caroline Campbell's book Keith Miller 6 February 2024 Share Detail of Hungry Ghosts Scroll (late 12th century) by an unknown artist Kyoto National Museum The last book I reviewed with this title was by the historian Simon Schama...
Jessie Stead’s Punched Interlude works are made out of found police barricade tape that she punches holes in and then runs through a music box, the music is composed by her as audible reflection on barricades and no go zones throughout the city of New York in area of Donald Trump...
The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys...
This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...