They burn our village
2022 - Painting (Painting)
Framed: 21 x 28 cm
Aung Ko
They burn our village by Aung Ko is part of the artist’s daily visual diary as an attempt to process and note what has been happening in Myanmar while he is being exiled, following the military takeover of the government in February 2021. Almost two years ago, Myanmar’s military ousted the democratically elected government of Aung San Suu Kyi and seized power in a coup. Since then, the country has descended into turmoil. The military has used violence and terror to stamp out dissent and silence opponents. Alongside massacres, the military has increasingly deployed a scorched earth campaign as part of its intensifying reign of terror, burning villages and buildings in other civilian areas, such as the one in the background of this drawing.
Aung Ko works with painting, film, installation, and performance. As an artist, Aung Ko’s work is an ongoing commentary on modern Myanmar’s political and social contexts. Censorship, injustice, and power are themes he often explores. In 2007 he started an ongoing art project in his village titled Thuye’dan Village Art Project. The village’s primary source of income is charcoal production. The village is isolated, and because of the ammunition factory nearby, the inhabitants live in fear, while visitors and the public are generally forbidden. Aung Ko and his wife Nge Lay have invited artists to create performances, mobile sculptures, and other artworks collaborating with the village and its residents.
Colors:
Related works sharing similar palette
© » ROYAL ACADEMY
Video: two-minute tour of the Summer Exhibition 2023 | Blog | Royal Academy of Arts Installation view of the Summer Exhibition 2023 at the Royal Academy of Arts, London, 13 June – 20 August 2023 Photo: © David Parry/ Royal Academy of Arts Video: two-minute tour of the Summer Exhibition 2023 Read more Become a Friend Video: two-minute tour of the Summer Exhibition 2023 Published 24 July 2023 Take a quick trip through more than 1,600 works on display in this year’s show...
© » ARTS EQUATOR
Performance Making during a Pandemic: Of Innovation, Form and Embeddedness | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Kornkarn Rungsawang September 29, 2021 By Adriana Nordin Manan (1,000 words, 3-minute read) If arts panel discussions are meant to reflect the times, “Critical Responses to Performance-Making in A Post-Pandemic World” positioned itself well: at this stage of the pandemic, it was less about open-ended contemplation of how the performing arts can retain vitality amidst the prohibitive circumstances, and more about sharing examples of performances that exemplify the act of moving ahead despite the barriers...
© » KADIST
Naoya Hatakeyama
Naoya Hatakeyama’s series Rikuzentakata (2011) documents the devastating aftermath of the 2011 Tohoku earthquake and tsunami in Japan...
© » KQED
Light Jacket Reading Series Brings Poetry to Golden Gate Park | KQED Skip to Nav Skip to Main Skip to Footer The Do List This Unpretentious Poetry Series Roams the Pockets of Golden Gate Park Sarah Hotchkiss Dec 12 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Sophia Dahlin reads a poem during the eighth event of the Light Jacket Reading Series in Golden Gate Park on Saturday, Dec...
© » KADIST
Jorge González
2017Easy to fold and carry, Jorge González’s Banquetas Chéveres (Chéveres Stools) embody the nomadic and flexible nature of the Escuela de Oficios...
© » KADIST
Tamar Guimarães
2010Canoas by Tamar Guimarães is a film made for the 2010 São Paulo biennial as an exercise in the projection of national identity...
© » ARTS EQUATOR
Freedom Talks: Arts and Culture in Southeast Asia: Proxy Wars | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 16, 2020 Safe Havens Freedom Talks presents a panel titled “Arts and Culture in Southeast Asia: Proxy Wars” in collaboration with ArtsEquator...
© » KADIST
Mark Grotjahn
2002This particular drawing, like many of Grotjahn’s works, presents a decentered single-point perspective...