13.97 x 13.97 x 6.03 cm
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand. Santiago considers these mobile box enclosures a method of transporting narratives of home and intimacy, diasporic identity, and experiences most often hidden or concealed from view. These Walls is a sculptural piece made from a reclaimed jewelry box, clay, paint, wool, plastic figurines, and human hair. The work, which is displayed on an artist-designed pedestal with its face open, depicts a small cinematic scene at night. The upper half of the jewelry box is lined with architectural features and foliage in monochromatic black. It faces an alternative, interior view of a bedroom on the bottom half with several minuscule figurines that appear in several stages of activity across the room. The meaning of These Walls is what happens within ‘these walls’ of privacy and intimacy: rest, love, meditation, and conversation. These Walls is a place where night is a cause for reflection, vision, dreams. Santiago’s work frequently addresses transformation as a means of knowing and finding ourselves, of discovering what is already there but perhaps unknown.
Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory. Santiago is likely best known for his miniature dioramas, which recreate personal stories, shed light on underrepresented histories, or serve as creative retellings of often-catastrophic events. Santiago is a Canadian-Trinidadian artist who lives a nomadic lifestyle, working in South Africa, New York, Toronto, Lisbon, and other places all over the world. The meticulously crafted cinematic scenes typically make reference to the specific people, places, and histories discovered along the way.
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
Ojih Odutola uses a distinctive visual style to capture members of her family, rendering them one pen stroke at a time, until their skin resembles ribbons woven into the contours of a face, neck, or hand...
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes...
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
Ntshepe Tsekere Bopape (aka Mo Laudi), Mobilis Alkebulan, performance, KADIST, Paris, 2021 What is the role of the artist if it’s not to make the revolution irresistible, to make hearts and minds vibrate to a higher frequency? Music, as sound, knows no borders; it is a form that crosses invisible borders created by humans to separate races, classes, cultures, sexes...
Podcast 59: The Truth About Voguing in Asia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Vogue in Progress May 29, 2019 Duration: 20 min Podcast host Chloe Chotrani (assisted by Chan Sze-Wei) uncovers the world of vogue culture and voguing in Asia from legendary mother, Koppi Mizrahi, who hails from Tokyo, Singaporean drag queen Vanda Miss Joaquim and Singaporean dancer Amin Alifin...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...