7.75H x 13W x 4.75D inches
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly. The stocky figure lets his arm drop to his side, towel dripping on the ground. Mitchell’s umber-toned glaze makes everything look earthy and wet, primordial and warm.
The Seattle-based sculptor Jeffry Mitchell creates cartoonlike creatures from low-fire earthenware. Their sympathetic expressions and modest size, combined with Mitchell’s style of globular, additive assembly, makes them seem accessible and charming, as if they want to be held. They are reminiscent of characters from Peanuts or The Flintstones , but they also draw on art historical tropes as potent and ancient as sex and religion. Beneath their unassuming facades they harbor a generous heap of musing, tongue-in-cheek critique.
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Paloma Contreras Lomas has frequently used animals as metaphors in her work...
Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Jean-Charles de Quillacq — Les poulains deviennent des chevaux — Galerie Marcelle Alix — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Jean-Charles de Quillacq — Les poulains deviennent des chevaux Exposition Techniques mixtes Jean-Charles de Quillacq, Ouverte (Discomfort), 2023 (Détail) Collage et acetone sur poster — 59,7 × 80 cm Courtesy de l’artiste et galerie Marcelle Alix, Paris Jean-Charles de Quillacq Les poulains deviennent des chevaux Encore 27 jours : 11 janvier → 9 mars 2024 « J’étais un morceau d’usine pour l’éternité...
"Asian Festivals Exchange" at M1 Contact Contemporary Dance Festival 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng K(-A-)O by Kenji Shinohe August 23, 2018 By Bernice Lee (1300 words, five-minute read) “Asian Festivals Exchange” puts together works selected from two East Asian festivals — Yokohama Dance Collection and Seoul Dance Collection — two works performed by T...
Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature | Artsy Skip to Main Content Advertisement Art Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature Bella Bonner-Evans Nov 21, 2023 3:27PM Amanda Baldwin Sweeping The Sea , 2023 Public Gallery Sold A considerable shift occurred in Amanda Baldwin ’s practice three years ago...
Lean Lui’s Sensual Photo Book Reimagines Girly Tropes | AnOther Photographer Lean Lui discusses her poetic new photo book, which embraces feminine-coded motifs like bows and white socks December 06, 2023 Text Zoe Whitfield When Lean Lui first began photographing her younger sister, it was when they were both children, reenacting scenes they’d watched play out on American modelling shows...
Weekly Southeast Asia Radar: "Fried Rice" nominated for Eisner; Celebrating indigenous music in Indonesia | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Franki Raden via Jakarta Post June 11, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Words in Transit: George Town Literary Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Leah Diprose; Supplied November 15, 2019 By Akanksha Raja (1,715 words, 7-minute read) The George Town Literary Festival returns for its ninth year next weekend (21 – 24 November) with the theme of forewords/afterwords , a decidedly future-oriented focus pertaining to notions of transitions and new beginnings...
Hitting up the Producers SG Directory: Taufik Darwis, Racy Lim and Khor Seng Chew | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 19, 2021 What is producing within the context of the arts? It is a question whose answer might vary depending on who you ask...
‘Living in Brixton allowed me not to be judged non-stop’: Zineb Sedira, the artist who makes people feel at home | Art | The Guardian Skip to main content Skip to navigation Skip to navigation Zineb Sedira photographed in the Whitechapel gallery, where her Brixton living room has been recreated in wallpaper...