The Result of 1000 Pieces
1994 - Photography (Photography)
Lin Yilin
All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments. The body appreciates a broader range of usages, and a brick wall is what is left behind.
Lin Yilin is a versatile and internationally significant artist whose work has been marked strongly by his provocative urban interventions—an approach with deep resonance given the increasing attention to the politics of space and insurgent actions in the climate of the Occupy movement. He uses sculpture, installation, performance, photography, and videos to explore how urban development affects the ways in which people relate to community and space.
Colors:
Related works sharing similar palette
© » LE MONDE
« L’Art du livre », de Michel Melot et Anne Zali : la splendeur à l’ouvrage Offrir Le Monde Article réservé aux abonnés Reliure originale en soie violette brodée d’or, fleurs et ornements en soie, chiffre de Marie de Médicis et couronne en perles fines, dos long à semé de fleurs de lis dans un encadrement, ruban de gros de Tours parme, avec lisière en dentelle dorée...
© » KADIST
Alicia Henry
2019Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
© » LENS CULTURE
Gilded Lilies - Photographs by Tine Poppe | Interview by Sophie Wright | LensCulture Feature Gilded Lilies Norwegian photographer Tine Poppe’s portraits of cut flowers, shot against landscapes ravaged by climate change, propose a new take on the still life—one fit for the uncertain times we are living in...
© » KADIST
Loris Gréaud
2004This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...
© » ARTS EQUATOR
Rainforest Fringe Festival 2018: Top 8 Picks | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 21, 2018 By Nur Athirah Abdullah The Rainforest Fringe Festival 2018 (RFF 2018) is less than a month away! Not to be mistaken for the Rainforest World Music Festival, one of the region’s best world music festivals, the Fringe is a cool combo of the very best of Sarawak’s music, art, craft, film, photography, and food...
© » KADIST
Toyin Ojih Odutola
2015As she traces the same shape again and again, Ojih Odutola’s lines become darker and deeper, sometimes pushed to the point where their blackness becomes luminous...
© » KADIST
Fabien Giraud & Raphael Siboni
2015-In which predicting its past it lives working and dies fighting- Fifth episode of The Unmanned , “La Mémoire de Masse” unfolds during the second Canuts revolts in Lyon in 1834...
© » KADIST
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
© » KADIST
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
© » TWOCOATSOFPAINT
The sharp, solitary eye of Sonia Gechtoff – Two Coats of Paint Sonia Gechtoff, Untitled , 1986, acrylic and graphite on paper mounted to linen, 38 1/4 × 46 inches Contributed by Natasha Sweeten / The contemplative works of Ukrainian American artist Sonia Gechtoff (born in Philadelphia 1926, died in NYC 2018), now on view at Bortolami and Andrew Kreps Gallery, range from the 1960s to early 2000s, but for me they evoke the frontality of Russian iconography , the dynamism of Italian Futurism , and the fractal abstractions of Sonia Delaunay...
© » ARTS EQUATOR
In a Material World: IMPART Collectors’ Show 2020 & Justice for All | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of artists January 3, 2020 By Aditi Shivaramakrishnan (1,200 words, 5-minute read) When it comes to analysing an artwork, the artist’s choice of materials can be as revelatory as other elements in suggesting what they might wish to communicate...
