The Oblivion
2009 - Drawing & Print (Drawing & Print)
Audra Knutson
Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death . Also a hand-printed linocut, many of the details in this work are based on photocopies of images sourced by the artist from her local library. At the time she was making these works, she recalls looking at ‘beautiful, sad, timeless and stark photographs taken in old-work segments of Europe and being influenced by their aesthetic and emotional gravitas. In The Oblivion both movement and humans are present yet elusive: objects that are usually in motion appear still (a bicycle, a horse, a burning candle) and demonic-like masks obscure the three figures’ human qualities. There is a darkness and mystery present in both prints, which echoes the irrational nature of the novel by Rainer Maria Rilke, which was a source of inspiration for the series. As with Rilke’s novel, Knutson’s haunting images have an inherent disbelief, solitude, and profound anxiety.
Based in San Francisco, Audra Knutson is known for her delicate and intricate works that depict elements from nature as well as scenes and objects from the everyday. Working across printmaking, letterpress printing, bookbinding, painting, drawing, metalsmithing and weaving, her compositions fluctuate between figuration and abstraction and have a distinctive style that considers in equal parts the objects that she depicts as well as the space that surrounds them. In several of her compositions, white, empty areas surround and emphasize vibrant zones of organic geometry, patterns, textures and color. Often suggesting natural formations — from plants and animals to salt crystals, mountains, and rolling waves — Knutson’s works speak of her connection to the natural world. Although some pieces originate from her observation of her surrounds, Knutson also leans on and depicts images and knowledge from books and other artists. Several of her works are interrelated and presented as series, and often elements and ideas interplay and weave between series as well as between bodies of work.
Colors:
Related works sharing similar palette
© » KADIST
Peter Robinson
2012Defunct Mnemonics (2012) plays off woodworking traditions found in indigenous art in order to create a body of formally minimal objects that are both beautiful in their restraint and profoundly moving in their associations with the totemic...
© » LENS CULTURE
49/23 — Considering Technology, AI and Photography - Photographs by Gregory Eddi Jones | Interview by Liz Sales | LensCulture Feature 49/23 — Considering Technology, AI and Photography In his new thought-provoking series “49/23,” Gregory Eddi Jones considers the implications of rapidly advancing technology by intertwining vintage photography and AI-generated images...
© » KADIST
Vidya Gastaldon
2011Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...
© » THEARTNEWSPER
The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Andy Warhol at the Hugh Lane Gallery, Dublin ★★★★☆ Andy Warhol the colourist stars in a stand-out exhibition that offers fresh perspectives on curating the world's most familiar artist Louis Jebb 8 December 2023 Share An installation shot of Andy Warhol Three Times Out at the Hugh Lane Gallery, Dublin, featuring screenprints from a 1972 Mao edition and a 1967 Marilyn (Marilyn Monroe) edition and Brillo Boxes ( 1968) in wood, paint and silkscreen ink © 2023 The Andy Warhol Foundation for the Visual Arts, Inc...
© » KADIST
David G. Tretiakoff
2016Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring...
© » KADIST
Laura Gannon
2017The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
© » ARTS EQUATOR
Singapore Biennale 2019: Interview with artistic director and curators | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Singapore Art Museum October 13, 2019 By Lee Weng Choy (1,969 words, 7-minute read) Contemporary visual art exhibition the Singapore Biennale 2019 will return on 22 November with Every Step In The Right Direction , featuring artworks by over 70 artists from Singapore, Southeast Asia and beyond...
© » SLASH PARIS
Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Fabienne Verdier — Horizons et Chênes-lièges — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Fabienne Verdier — Horizons et Chênes-lièges Exhibition Painting Fabienne Verdier, Chêne-liège #4, 2023 Pastel gras et pastel sec sur vélin d’Arches teinté — 49 × 28 cm Courtesy de l’artiste et galerie Lelong & Co...
© » FAD MAGAZINE
Jesse Darling Takes 2023 Turner Prize for Exposing Decay in 'Great' Britain - FAD Magazine Skip to content By Mark Westall • 6 December 2023 Share — Jesse Darling wins Turner Prize 2023, as we called it back in September ( Who should win the Turner Prize 2023 ), the winner of the £25,000 prize was announced last night at a ceremony presented by Tinie Tempah at Eastbourne’s Winter Garden, adjacent to Towner Eastbourne, the hosts of this year’s prize...
© » SLASH PARIS
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris Login Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back 40 ans du Frac ! — Gunaikeîon Exhibition Mixed media Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Ends in 2 months: October 15, 2023 → February 24, 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...