This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution. This trace on the ground is an aestheticized piece of evidence of a real heavily loaded problem for nature and society. The artist’s critical stance is poetically and precisely rendered to encourage debate about politics, power and ecology through art. Pure, life-enhancing natural resources are presented as potentially explosive substances in metal or plastic containers. Such absurdity is made visible in the direct dialogue of cause and effect in this presentation which is then amplified by the title, The Nature of Conflict, which adds to the imagination of extended dangerousness. Allora & Calzadilla have created a meaningful and at the same time subtle visual formula for the summary of their alarmed analysis of a current global issue.
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla. Their work often takes the form of performances, installations, and sound pieces that refer to sociopolitical phenomena and history. Forms from these spheres of life—an overturned tank, a treadmill, a piano—are displaced and spliced together in new configurations, often with performers or viewers engaging with these material segments of the world.
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions...
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...