This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution. This trace on the ground is an aestheticized piece of evidence of a real heavily loaded problem for nature and society. The artist’s critical stance is poetically and precisely rendered to encourage debate about politics, power and ecology through art. Pure, life-enhancing natural resources are presented as potentially explosive substances in metal or plastic containers. Such absurdity is made visible in the direct dialogue of cause and effect in this presentation which is then amplified by the title, The Nature of Conflict, which adds to the imagination of extended dangerousness. Allora & Calzadilla have created a meaningful and at the same time subtle visual formula for the summary of their alarmed analysis of a current global issue.
Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla. Their work often takes the form of performances, installations, and sound pieces that refer to sociopolitical phenomena and history. Forms from these spheres of life—an overturned tank, a treadmill, a piano—are displaced and spliced together in new configurations, often with performers or viewers engaging with these material segments of the world.
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...
Title, Theme Announced for Sixth Aichi Triennale – Artforum Read Next: ART BASEL REVEALS EXHIBITOR LIST FOR 2024 SWISS FAIR Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U...
In the hologram “Mano con hojas” (”Hand with Leaves”, 2013), nature is portrayed simultaneously as an interconnected system of processes and the essence of the universe...
In her photographs of England's stiles and centuries-old footpaths, the artist reflects on how we cross boundaries—and the ways we have shaped the natural world....
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...