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The Moon Also Rises by Yuyan Wang comprises a one-channel video and light installation. The work is based on a 2018 initiative in China to launch three artificial moons into orbit above major cities to provide continuous daylight. Set in an oppressively illuminated environment, the images depict lethargic crowds in megacities, surrounded by glowing neon lights, and workers in LED factories performing repetitive tasks on an assembly line in a kind of trance state. Wang depicts the imposition of relentless light as a form of capitalist authoritarianism and neocolonial control that demands ceaseless productivity, while ignoring the ecological and human damage inflicted by the renunciation of darkness. Édouard Glissant’s call for “le droit à l’opacité” (the right to opacity), a form of postcolonial resistance, inspired this project. The Moon Also Rises portrays a nocturnal community based on overpowered efficiency—a community active, available, and connected, where the mysterious zones are replaced by a homogeneous brightness. Under the authority of everlasting lights, the film depicts the capitalist myth—the immateriality of new technologies and tries to trace the “light” back to its terrestrial origins.
Yuyan Wang is a filmmaker and multidisciplinary artist whose work examines images at the point of production and the atmosphere cultivated by media regimes within the attention economy. Both poetic and political, her productions underscore the diversity of the effectual matrix that exists between suspense and action. Her practice of image recycling is a kind of détournement that forms the basis of complex, immersive environments, inverting and subverting the functions and meanings of the images used. Employing montage, sound, and acceleration, she alternately creates focus from distraction, and ambiguity from clarity.
An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...
Like most of Laura Rokas’s hand-stitched works, Once in Two Moons was made while she sat in bed, imbuing the work with a tender sense of domestic intimacy...
Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...
Weekly Picks: Malaysia (15–21 October 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 15, 2018 No Black Tie Ivory Series presents ‘To The Moon’ , at No Black Tie, 15–16 Oct, 8pm Part of No Black Tie’s 20th anniversary celebrations, To The Moon draws inspiration from the likes of Jean-Philippe Rameau, Louis Couperin, Ludwig van Beethoven, Henry Purcell, and Gluck...
Karol Radziszewski, Nose up the Ass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Karol Radziszewski Karol Radziszewski, Nose up the Ass October 20, 2023 Opening: Friday, October 20th, at 6:00 till 10:00 pm The exhibition runs: October 20th — December 2nd curated by: Maria Rubersz Working with objects from the past, the archivist opens them up to the future...
Hades Fading: Modern-day Ancients | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of artist March 1, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (708 words, 5-minute read) In Hades Fading , Eurydice has a memory problem...
Art that Moves: Marc Nair | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: National Arts Council June 19, 2018 Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them...
Ground Control — (and the stars look very different today) — Topographie de l’art — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Ground Control — (and the stars look very different today) — Topographie de l’art — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Ground Control — (and the stars look very different today) Exposition Techniques mixtes © Topographie de l’art Ground Control (and the stars look very different today) Encore environ un mois : 24 novembre 2023 → 11 janvier 2024 Demain n’est pas qu’une simple projection d’aujourd’hui ; l’avenir se définit tout aussi bien comme le reflet de notre imaginaire à la surface de miroirs que l’on a plus ou moins éloignés dans le temps...
Cao Fei, Anthony Discenza, Harun Farocki, Tobias Fike and Matthew Harris, Forensic Architecture, Adelita Husni-Bey, Binelde Hyrcan, Yung Jake, Jazmín López, Rachel Rose, Bunny Rogers, Pavel Wolberg, and John Wood and Paul Harrison Often played by children and teenagers, the protagonists on view in On Struggling to Remain Present When You Want to Disappear take active part in physical or symbolic conflicts as they create alternative personalities, forge online relationships, or navigate across constructed environments...
Argentinian President Javier Milei Shutters Ministry of Culture – Artforum Read Next: THE WHITNEY’S JANE PANETTA DECAMPS FOR THE MET Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
Takeshi Murata developed an interest in space inspired by his architect parents...
The Planets, Chapter 32 (2017) is a short video that depicts the world at a time of great anxiety...