20:00 minutes
The Moon Also Rises by Yuyan Wang comprises a one-channel video and light installation. The work is based on a 2018 initiative in China to launch three artificial moons into orbit above major cities to provide continuous daylight. Set in an oppressively illuminated environment, the images depict lethargic crowds in megacities, surrounded by glowing neon lights, and workers in LED factories performing repetitive tasks on an assembly line in a kind of trance state. Wang depicts the imposition of relentless light as a form of capitalist authoritarianism and neocolonial control that demands ceaseless productivity, while ignoring the ecological and human damage inflicted by the renunciation of darkness. Édouard Glissant’s call for “le droit à l’opacité” (the right to opacity), a form of postcolonial resistance, inspired this project. The Moon Also Rises portrays a nocturnal community based on overpowered efficiency—a community active, available, and connected, where the mysterious zones are replaced by a homogeneous brightness. Under the authority of everlasting lights, the film depicts the capitalist myth—the immateriality of new technologies and tries to trace the “light” back to its terrestrial origins.
Yuyan Wang is a filmmaker and multidisciplinary artist whose work examines images at the point of production and the atmosphere cultivated by media regimes within the attention economy. Both poetic and political, her productions underscore the diversity of the effectual matrix that exists between suspense and action. Her practice of image recycling is a kind of détournement that forms the basis of complex, immersive environments, inverting and subverting the functions and meanings of the images used. Employing montage, sound, and acceleration, she alternately creates focus from distraction, and ambiguity from clarity.
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An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Artist interview interview An-My Lê: the artist portraying the inhuman scale of war and small acts of resistance Airlifted out of Vietnam as a teenager when Saigon fell, the Vietnamese American photographer makes no attempt to simplify the unbearably complex, and pits individual agency against huge geopolitical forces Dale Berning Sawa 7 December 2023 Share Installation view of Fourteen Views (2023), which represents a river journey from the Mekong to the Mississippi via Parisian water gardens, encompassing Vietnam, its colonisation by France and the military intervention by the US Photo: Jonathan Dorado, © MoMA In 2021, An-My Lê had an out-of-body experience in the Californian desert...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
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This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...