11:47 minutes
The Lonely Age by Connie Zheng is the first chapter in a trilogy of short experimental films about the complex temporalities of navigating ongoing environmental crises, as seen through the lens of seeds real and imagined. The film is set in a highly toxic and ecologically ravaged near future, in which people begin to hear rumors of seeds that have washed up on the shores of California after escaping from a factory in China. The seeds are rumored to possess curative properties, but they are also said to be sentient. The film toys with the languages of propaganda, dystopian cinema, documentary, and avant-garde film, while examining divergent articulations of hope amidst ecological disaster. Through this mode of informal myth-making, Zheng’s work asks: How can image-makers mobilize the romantic qualities of the apocalyptic narrative in order to inspire climate action? What possibilities exist for humans to engage in cooperative, non-hierarchical behavior, given our conditioning under capitalism? And how do we negotiate the terms of our survival in a way that respects the agency of all living beings while also acknowledging the oppressive structures of colonialism, racism, and xenophobia that have historically shaped our relationship to the “Other”? At its core The Lonely Age is a meta-fictional film whose tension emerges from rumors of hope. Are the seeds real? Are they actually radioactive waste from China? In a sense, it doesn’t matter—the film is about the power of belief and underlying ideologies that underpin hope and skepticism.
Connie Zheng is an artist, writer, filmmaker, and field recordist. Her multidisciplinary practice examines diasporic memory, ecological elegy, and divergent articulations of hope from an environmental justice perspective. Experimenting with topics ranging from cartography to seed exchanges, Zheng’s work pays particular attention to assemblage-based moving image practices and nonlinear temporalities. Her artistic process often begins with creative writing, which she employs as a means to create the worlds and realms that later emerge in her work.
25th "Sculpture by the Sea" Brings Over 100 Artworks to Australian Coast Home / Art / Sculpture 25th Annual ‘Sculpture by the Sea’ Brings 100 Artworks to Australian Coast By Margherita Cole on December 11, 2023 Gleb Dusavitskiy, “I Believe I Can Fly.” (Photo: Tyr Liang) Once a year, part of the Australian coastline is transformed into an outdoor museum during the Sculpture by the Sea festival...
Acquisitions round-up: the Städel Museum in Frankfurt shows off its Honoré Daumier bequest Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Acquisitions round-up: the Städel Museum in Frankfurt shows off its Honoré Daumier bequest Plus, Olmec statuette becomes Kimbell Art Museum’s “most significant work of ancient American art” and Madrid’s Museo del Romanticismo buys an early Goya Hannah McGivern 9 February 2024 Share Honoré Daumier's Don't you dare! (1834) © Private Collection Daumier bequest from Hans-Jürgen Hellwig Städel Museum, Frankfurt The Städel Museum’s new show of 120 graphic works by Honoré Daumier (1808-79), running until 12 May, is drawn entirely from the collection of the Frankfurt arts patron Hans-Jürgen Hellwig...
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Valentin Guillon — Hors-jeu — Les églises centre d'art de Chelles — Exhibition — Slash Paris Login Newsletter Twitter Facebook Valentin Guillon — Hors-jeu — Les églises centre d'art de Chelles — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Valentin Guillon — Hors-jeu Exhibition Installation, mixed media Valentin Guillon, © Valentin Guillon Valentin Guillon Hors-jeu Ends in 2 months: February 3 → April 14, 2024 Après deux propositions en regard et en dialogue direct avec les Eglises, le troisième volet de cette saison s’intitule « Hors-jeu »...
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How Paño Arte Becomes Artepaño Skip to content Unidentified artist, “SanAnto” (date unknown), ink on cotton, 15 x 15 inches (all photos by Reno Leplat-Torti, courtesy the Reno-Leplat-Torti Collection) If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact...